Haruki Murakami
"A dense, artistic kind of imperfection stimulates your consciousness, keeps you alert. If I listen to some utterly perfect performance of an utterly perfect piece while I'm driving, I might want to close my eyes and die right then and there. But listening to the D major, I can feel the limits of what humans are capable of-- that a certain type of perfection can only be realised through a limitless accumulation of imperfect."
162 Quotes
"A dense, artistic kind of imperfection stimulates your consciousness, keeps you alert. If I listen to some utterly perfect performance of an utterly perfect piece while I'm driving, I might want to close my eyes and die right then and there. But listening to the D major, I can feel the limits of what humans are capable of-- that a certain type of perfection can only be realised through a limitless accumulation of imperfect."
"إن نوعًا من النقص الفني الكثيف ينشط وعيك، ويبقيك في حالة تأهب. لو استمعت إلى أداء بالغ الكمال لقطعة موسيقية لا تشوبها شائبة، وأنا أقود سيارتي، قد يراودني شعور بالرغبة في إغماض عيني والموت في تلك اللحظة عينها. أما عند الاستماع إلى مقطوعة ري الكبير، فأشعر بحدود القدرة البشرية — وأن نوعًا معينًا من الكمال لا يتأتى إلا عبر تراكم لا متناهٍ من النواقص."
Haruki Murakami
"As I suspect is true of many who write for a living, as I write I think about all sorts of things. I don't necessarily write down what I'm thinking; it's just that as I write I think about things. As I write, I arrange my thoughts. And rewriting and revising takes my thinking down even deeper paths."
"كما أظنّ حال الكثيرين ممن يقتاتون من الكتابة، فإنني بينما أكتب، أفكّر في شتى الأمور. لا أدوّن بالضرورة ما يدور في خلدي؛ بل هو مجرد أنني أفكّر في الأشياء أثناء الكتابة. وبينما أكتب، أرتب أفكاري. وعمليات إعادة الكتابة والمراجعة تأخذ تفكيري إلى دروب أعمق."
Haruki Murakami
"A short story I have written long ago would barge into my house in the middle of the night, shake me awake and shout, 'Hey,this is no time for sleeping! You can't forget me, there's still more to write!' Impelled by that voice, I would find myself writing a novel. In this sense, too, my short stories and novels connect inside me in a very natural, organic way."
"كانت قصة قصيرة كتبتها منذ زمن بعيد تقتحم بيتي في منتصف الليل، تهزني لتوقظني وتصيح: "مهلًا، ليس هذا وقت النوم! لا يمكنك أن تنساني، فما زال هناك المزيد لتكتبه!" مدفوعًا بذلك الصوت، كنت أجد نفسي أكتب رواية. وبهذا المعنى أيضًا، تتصل قصصي القصيرة ورواياتي بداخلي بطريقة طبيعية وعضوية جدًا."
Haruki Murakami
"Maybe that's why people don't like you. You make it obvious you don't care whether people like you or not. That makses some people angry."
"لعلّ هذا هو السبب في أن الناس لا يحبونك. أنت تُظهر بوضوح أنك لا تكترث إن أحبّك الناس أم لا. وهذا يثير غضب البعض."
Haruki Murakami
"I don’t think it’s right that I’m part of the problem. I can’t be part of the solution if I’m part of the problem"
"لا أرى من الصواب أن أكون جزءًا من المشكلة. لا يمكنني أن أكون جزءًا من الحل إن كنتُ جزءًا من المشكلة."
Haruki Murakami
"Not being able to find the right words at crucial times is one of my many problems."
"إن عدم قدرتي على إيجاد الكلمات المناسبة في اللحظات الحاسمة هو إحدى مشكلاتي الكثيرة."
Haruki Murakami
"Count your blessings"
"تذكر نعم الله عليك."
Haruki Murakami
"You lost all interest in this world. You were disappointed and discouraged, and lost interest in everything. So you abandoned your physical body. You went to a world apart and you’re living a different kind of life there. In a world that’s inside you."
"لقد فقدت كل اهتمام بهذا العالم. خاب أملك وتثبطت عزيمتك، وفقدت الرغبة في كل شيء. لذا، هجرت جسدك المادي. ذهبت إلى عالم آخر، وها أنت تعيش هناك نوعًا مختلفًا من الحياة. في عالم يسكن في أعماقك."
Haruki Murakami
"To Tengo, sexual desire was fundamentally an extension of a means of communication. And so, to look for sexual desire in a place where there was no possibility of communication seemed inappropriate to him."
"كانت الرغبة الجنسية، بالنسبة لتينغو، امتدادًا جوهريًا لوسيلة تواصل. ولذلك، بدا له من غير اللائق البحث عن الرغبة الجنسية في مكان لا يتيح أي إمكانية للتواصل."
Haruki Murakami
"Gays, lesbians, straights, feminists, fascist pigs, communists, Hare Krishnas - none of them bother me. I don't care what banner they raise. But what I can't stand are hollow people. When I'm with them I just can't bare it, and wind up saying things I shouldn't."
"المثليون والمثليات والمغايرون، والنسويات، والخنازير الفاشية، والشيوعيون، وعبدة كريشنا – لا أحد منهم يزعجني. لا أبالي بأي راية يرفعون. لكن ما لا أطيقه هم البشر الجوفاء. عندما أكون معهم، لا أستطيع الاحتمال، وينتهي بي الأمر بقول أشياء ما كان ينبغي لي أن أقولها."
Haruki Murakami
"O. K., so I'm not so smart. I'm working class. But it's the working class that keeps the world running, and it's the working class that gets exploited. What the hell kind of revolution have you got just tossing out big words that working-class people can't understand? What the hell kind of social revolution is that? I mean, I'd like to make the world a better place, too. If somebody's really being exploited, we've got to put a stop to it. That's what I believe, and that's why I ask questions."
"حسناً، قد لا أكون ذكياً جداً. أنا من الطبقة العاملة. لكن الطبقة العاملة هي من تُدير عجلة العالم، وهي ذاتها الطبقة التي تُستغلّ. فأيّ ثورة هذه بحق السماء، التي تكتفي بإلقاء المصطلحات الكبيرة التي لا يستطيع أبناء الطبقة العاملة فهمها؟ فأيّ ثورة اجتماعية هذه؟ أنا أيضاً، أرغب في جعل العالم مكاناً أفضل. إذا كان هناك من يُستغلّ حقاً، فعلينا أن نضع حداً لذلك. هذا ما أؤمن به، ولهذا السبب أطرح الأسئلة."
Haruki Murakami
"All I know is I'm totallyalone. All alone i n an unfamiliar place, like some solitary explorer who's lost his compass and his map. Is this what it means to be free? I don't know, and I give up thinking about it."
"أعرف فقط أنني وحيد تمامًا. وحيد في مكان غريب، كالمستكشف المنفرد الذي أضاع بوصلته وخريطته. أهذا ما يعنيه أن تكون حرًا؟ لا أدري، وقد يئست من التفكير في الأمر."
Haruki Murakami
"And while he sat there on the end of the jetty, he’d let the sound of the waves fill his ears, watch the clouds and schools of tiny sweetfish, take pebbles he’d pocketed on the way and throw them out into the deep. Then when dusk began to settle he would retrace his steps, back to his own world. And on the way home, a loneliness would always claim his heart. He could never quite get a grip on what it was. It just seemed that whatever lay waiting “out there” was all too vast, too overwhelming for him to possibly ever make a dent in."
Haruki Murakami
"If I choose to write about sheep, it's just because I happened to write about sheep. There is no deep significance."
Haruki Murakami
"The world is a huge space, but the space that will take you in - and itdoesn't have to be very big - is nowhere to be found. You seek a voice, but what doyou get? Silence. You look for silence, but guess what? All you hear over and overand over is the voice of this omen. And sometimes this prophetic voice pushes asecret switch hidden deep inside your brain."
Haruki Murakami
"Anyway, I forgot all about him once I graduated. So quickly and easily, it was weird. What was it about him that had made the seventeen-year-old me fall so hard? Try as I might, I couldn’t remember. Life is strange, isn’t it? You can be totally entranced by something one minute, be willing to sacrifice everything to make it yours, but then a little time passes, or your perspective changes a bit, and all of a sudden you’re shocked at how its glow has faded. What was I looking at? you wonder. So that’s the story of my ‘breaking-and-entering’ period."
Haruki Murakami
"All kinds of things are happening to me." I begin. ,,Some I choose, some I didn't. I don't know how to tell one from the other any more. What I mean is, it feels like everything's been decided in advance - that I'm following a path somebody else has already mapped out for me. It doesn't matter how much I think things over, how much effort I put into it. In fact, the harder I try, the more I lose my sense od who I am. It's as if my identity's an orbit that I've strayed far away from, and that really hurts. But more than that, it scares me. Just thinking about it makes me flinch. Oshima gazes deep into m eyes. "Listen, Kafka. What you are experiencing now is the motif od many Greek tragedies. Man does not chose fate. Fate chooses man. That is the basic world view of Greek drama. And the sense od tragedy - according to Aristotle - somes, ironically enough, not drom the protagonist's weak points but from his good qualities. Do you know what I am getting at? People are drawn deeper into tragedy not by their defects but by their virtues. Sophocles' Oedipus Rex being a Great example. Oedipus is drawn into tragedy not because of lazines or stupidity, but because of his courage and honesty. So an inevitable irony results."
Haruki Murakami
"Honesty is to truth as prow is to stern. Honesty appears first and truth appears last. The interval between varies in direct proportion to the size of ship. With anything of size, truth takes a long time in coming. Sometimes it only manifests itself posthumously."
Haruki Murakami
"I wasn’t able to be that person for you, and I did a terrible thing. I feel awful about it. But there was something wrong between us from the start, as if we’d done the buttons up wrong."
Haruki Murakami
"A question wells up inside me, a question so big it blocks my throat and makes it hard to breathe. Somehow I swallow it back, finally choosing another. "Are memories such an important thing"It depends," she replies, and closes her eyes. "In some cases, they're the most important thing there is."
Haruki Murakami
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