Haruki Murakami

"And while he sat there on the end of the jetty, he’d let the sound of the waves fill his ears, watch the clouds and schools of tiny sweetfish, take pebbles he’d pocketed on the way and throw them out into the deep. Then when dusk began to settle he would retrace his steps, back to his own world. And on the way home, a loneliness would always claim his heart. He could never quite get a grip on what it was. It just seemed that whatever lay waiting “out there” was all too vast, too overwhelming for him to possibly ever make a dent in."

"If I choose to write about sheep, it's just because I happened to write about sheep. There is no deep significance."

"The world is a huge space, but the space that will take you in - and itdoesn't have to be very big - is nowhere to be found. You seek a voice, but what doyou get? Silence. You look for silence, but guess what? All you hear over and overand over is the voice of this omen. And sometimes this prophetic voice pushes asecret switch hidden deep inside your brain."

"Anyway, I forgot all about him once I graduated. So quickly and easily, it was weird. What was it about him that had made the seventeen-year-old me fall so hard? Try as I might, I couldn’t remember. Life is strange, isn’t it? You can be totally entranced by something one minute, be willing to sacrifice everything to make it yours, but then a little time passes, or your perspective changes a bit, and all of a sudden you’re shocked at how its glow has faded. What was I looking at? you wonder. So that’s the story of my ‘breaking-and-entering’ period."

"All kinds of things are happening to me." I begin. ,,Some I choose, some I didn't. I don't know how to tell one from the other any more. What I mean is, it feels like everything's been decided in advance - that I'm following a path somebody else has already mapped out for me. It doesn't matter how much I think things over, how much effort I put into it. In fact, the harder I try, the more I lose my sense od who I am. It's as if my identity's an orbit that I've strayed far away from, and that really hurts. But more than that, it scares me. Just thinking about it makes me flinch. Oshima gazes deep into m eyes. "Listen, Kafka. What you are experiencing now is the motif od many Greek tragedies. Man does not chose fate. Fate chooses man. That is the basic world view of Greek drama. And the sense od tragedy - according to Aristotle - somes, ironically enough, not drom the protagonist's weak points but from his good qualities. Do you know what I am getting at? People are drawn deeper into tragedy not by their defects but by their virtues. Sophocles' Oedipus Rex being a Great example. Oedipus is drawn into tragedy not because of lazines or stupidity, but because of his courage and honesty. So an inevitable irony results."

"Honesty is to truth as prow is to stern. Honesty appears first and truth appears last. The interval between varies in direct proportion to the size of ship. With anything of size, truth takes a long time in coming. Sometimes it only manifests itself posthumously."

"I wasn’t able to be that person for you, and I did a terrible thing. I feel awful about it. But there was something wrong between us from the start, as if we’d done the buttons up wrong."

"A question wells up inside me, a question so big it blocks my throat and makes it hard to breathe. Somehow I swallow it back, finally choosing another. "Are memories such an important thing"It depends," she replies, and closes her eyes. "In some cases, they're the most important thing there is."

"There are some things we can never assign to oblivion, memories we can never rub away. They remain with us forever, like a touchstone."

"When you come out of the storm you won't be the same person that walked in. That's what the storm is all about."

"Still, the time I spent with her was more precious than anything. She helped me forget the undertone of loneliness in my life. She expanded the outer edges of my world, helped me draw a deep, soothing breath. Only Sumire could do that for me."

"You have to dream intentionally. Most people dream a dream when they are asleep. But to be a writer, you have to dream while you are awake, intentionally."

"It was nothing but a hole, a mouth open wide. You could lean over the edge and peer down to see nothing. All I knew about the well was its frightening depth. It was deep beyond measuring, and crammed full of darkness, as if all the world’s darkness had been boiled down to their ultimate density."

"...somewhere, on some subterranean level, her darkness and his may have connected."

"I am living in hell from one day to the next. But there is nothing I can do to escape. I don't know where I would go if I did. I feel utterly powerless, and that feeling is my prision. I entered of my own free will, I locked the door, and I threw away the key."

"suffering is a misunderstood pain"

"You can hide memories, suppress them, but you can’t erase the history that produced them"

"Putting it into words will destroy any meaning."

"History cannot be erased or altered. Because that would mean killing yourself."

"In other words, Shozaburo Takitani was now alone in the world. This was no great shock to him, however, nor did it make him feel particularly sad or miserable. He did, of course, experience some sense of absence, but he felt that, eventually, life had to turn out more or less like this. Everyone ended up alone sooner or later."