I don't think of poetry as a 'rational' activity but as an aural one. My poems usually begin with words or phrases which appeal more because of their sound than their meaning, and the movement and phrasing of a poem are very important to me.
“لا أعتبر الشعر فعالية "عقلانية"، بل "سمعية". فغالبًا ما تستهل قصائدي بكلمات أو عبارات يكمن سحرها في وقعها الصوتي لا في دلالتها، كما أن حركة القصيدة وصياغتها تحظيان بأهمية بالغة لدي.”