Alain de Botton

"One kind of good book should leave you asking: how did the author know that about me?"

"Curiosity takes ignorance seriously, and is confident enough to admit when it does not know. It is aware of not knowing, and it sets out to do something about it"

"Most of what makes a book 'good' is that we are reading it at the right moment for us."

"For thousands of years, it had been nature--and its supposed creator--that had had a monopoly on awe. It had been the icecaps, the deserts, the volcanoes and the glaciers that had given us a sense of finitude and limitation and had elicited a feeling in which fear and respect coagulated into a strangely pleasing feeling of humility, a feeling which the philosophers of the eighteenth century had famously termed the sublime. But then had come a transformation to which we were still the heirs... Over the course of the nineteenth century, the dominant catalyst for that feeling of the sublime had ceased to be nature. We were now deep in the era of the technological sublime, when awe could most powerfully be invoked not by forests or icebergs but by supercomputers, rockets and particle accelerators. We were now almost exclusively amazed by ourselves."

"What makes the prospect of death distinctive in the modern age is the background of permanent technological and sociological revolution against which it is set, and which serves to strip us of any possible faith in the permanence of our labours. Our ancestors could believe that their achievements had a chance of bearing up against the flow of events. We know time to be a hurricane. Our buildings, our sense of style, our ideas, all of these will soon enough be anachronisms, and the machines in which we now take inordinate pride will seem no less bathetic than Yorick's skull."

"One rarely falls in love without being as much attracted to what is interestingly wrong with someone as what is objectively healthy."

"Partially undermining the manufacturer's ability to assert that its work constituted a meaningful contribution to mankind was the frivolous way in which it went about marketing its products. Grief was the only rational response to the news that an employee had spent three months devising a supermarket promotion based on an offer of free stickers of cartoon characters called the Fimbles. Why had the grown-ups so churlishly abdicated their responsibilities? Were there not more important ambitions to be met before Death showed himself on the horizon in his hooded black cloak, his scythe slung over his shoulder?"

"It is in books, poems, paintings which often give us the confidence to take seriously feelings in ourselves that we might otherwise never have thought to acknowledge."

"“The moment we cry in a film is not when things are sad but when they turn out to be more beautiful than we expected them to be.”"

"My dad was a slightly stricter version of Richard Dawkins. The worldview was that there are idiots out there who believe in Santa Claus and fairies and magic and elves, and we're not joining that nonsense."

"It's almost a blessing when we meet people who naturally want to do the sort of things that are in high demand in society. What a gift to do that, as opposed to other people who would say, 'I want to be a novelist but actually I have to be an accountant."

"I like working with people. I believe change can only come through collaboration."

"The claims I'm making for art are simply the claims that we naturally make around music or around poetry. We're much more relaxed around those art forms. We're willing to ask, 'How could this find a place in my heart?"

"I'm fascinated by Comte's clear-eyed analysis of what was wrong with modern society, which is that you've got industrial capitalism on one side and romantic love on the other. Those, along with non-instrumental art, are supposed to get you through the day?"

"If you are pro love, you have to be a little bit disloyal to the romantic feelings that propel you in the early days."

"The philosophy I love is very selective. It is really just the bit that is involved in a search for wisdom, and this means a short roll call of names; Socrates, Marcus Aurelius, Seneca, Epicurus, Montaigne, Schopenhauer, Nietzsche."

"I'm not an academic philosopher, and don't agree with the way the universities approach the subject. I'm a philosopher only in the very loose sense of someone interested in wisdom and well-being attained through reason. But I'm as interested in psychoanalysis and art as I am in philosophy."

"The solution as consumers is - perhaps surprisingly - to take adverts very, very seriously. We should ask ourselves what it is that we find lovely in them - the visions of friendship, togetherness, repose, or whatever. And then consider what would actually help us find these qualities in our lives."

"The arrogance that says analysing the relationship between reasons and causes is more important than writing a philosophy of shyness or sadness or friendship drives me nuts. I can't accept that."

"Where is instruction in relationships, in the management of career, in the raising of children, in the pursuit of friendship, in the wise approach to anxiety and death? All this sort of stuff I craved to learn about when I was a student and down to this day."