"I have so often been asked the question: "But how did you come to think of The Scarlet Pimpernel" And my answer has always been: "It was God's will that I should." And to you moderns, who perhaps do not believe as I do, I will say, "In the chain of my life, there were so many links, all of which tended towards bringing me to the fulfillment of my destiny."
5
"The more I know about God, I am convinced He likes to read books and authors are His librarians. Every soul is a story waiting to be read."
4
"Your current circumstances are part of your redemption story He is writing."
5
"The Prophets Isaiah and Ezekiel dined with me, and I asked them how they dared so roundly to assert, that God spoke to them; and whether they did not think at the time, that they would be misunderstood, & so be the cause of imposition. Isaiah answer'd, I saw no God, nor heard any, in a finite organical perception; but my senses discover'd the infinite in every thing, and as I was then persuaded, & remain confirm'd; that the voice of honest indignation is the voice of God, I cared not for consequences but wrote."
6
"What are you burning" On a glance, just some papers."I write in a journal." He spoke below his breath, so that his words weren't quite for me. "Because I like to see everything written down. So that I know it really happened. That I wasn't just making it up. Then I read it and memorize it. And then I have to destroy the hard evidence."I thought of my own journal, the muddle of every page. All those unfiltered, lunatic letters to Sean Ryan."What is it, exactly, that you need to destroy"Everything that I don't want to be true."
4
"The first duty of an Author is --- I conceive --- a faithful allegiance to Truth and Nature; his second, such a conscientious study of Art as shall enable him to interpret eloquently and effectively the oracles delivered by those two great deities.--- Charlotte Bronte"
6
"Our willingness to write truthfully brings the story to life."
5
"It doesn't really matter who said it - it's so obviously true. Bevore you can write anything, you have to notice something."
4
"The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't sue."
3
"You never know who you're inspiring or uninspiring. People notice more than you think."
5
"...the best way to know the Truth or Beauty is to try to express it. And what is the purpose of existence Here or Yonder but to discover truth and beauty and express it, i.e., share it with others?"
3
"The human mind is not a dignified organ, and I do not see how we can exercise it sincerely except through eclecticism. And the only advice I would offer my fellow eclectics is: "Do not be proud of your inconsistency. It is a pity, it is a pity that we should be equipped like this. It is a pity that Man cannot be at the same time impressive and truthful."
6
"No one writes anything worth writing, unless he writes entirely for the sake of his subject."
3
"Some part of me knew from the first that what I wanted was not reality but myth."
4
"For people never say anything the same way twice; no two of them ever say it the same. The greatest imaginative writer that ever brooded in a lavender robe and a mellowed briar in his teeth, couldn't tell you, though e try for a lifetime, how the simplest strap-hanger will ask the conductor to be let off at the next stop. ... It is all for the taking. All the manuals by frustrated fictioneers on how to write can't give you the first syllable of reality, at any cot, that any common conversation can. All the classics, read and re-read, can't help you catch the ring of truth as does the word heard first-hand."
3
"All works of nonfiction, or memoir, have to first and foremost be art before they can be true. They have to be artful first before they can be truthful... If you emphasize the truth-telling at the expense of art, nobody is going to be interested in it. And if you sacrifice truth in the name of art, you risk triviality. There's a constant balance between those two."
5
"Like most novelists, I like to do exactly the opposite of what I'm told. It's in my nature as a novelist. Novelists can't trust anything they haven't seen with their own eyes or touched with their own hands. (Jerusalem Prize acceptance speech, JERUSALEM POST, Feb. 15, 2009)"
6
"...at last I understood that writing was this: an impulse to share with other people a feeling or truth that I myself had."
3
"A novel must show how the world truly is, how characters genuinely think, how events actually occur. A novel should somehow reveal the true source of our actions."
4
"I tell you this true story just to prove that I can. That my frailty has not yet reached a point at which I can no longer tell a true story."
3
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