"The advice I like to give young artists, or really anybody who'll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work. If you wait around for the clouds to part and a bolt of lightning to strike you in the brain, you are not going to make an awful lot of work. All the best ideas come out of the process; they come out of the work itself. Things occur to you. If you're sitting around trying to dream up a great art idea, you can sit there a long time before anything happens. But if you just get to work, something will occur to you and something else will occur to you and something else that you reject will push you in another direction. Inspiration is absolutely unnecessary and somehow deceptive. You feel like you need this great idea before you can get down to work, and I find that's almost never the case."
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"Get going. Move forward. Aim High. Plan a takeoff. Don't just sit on the runway and hope someone will come along and push the airplane. It simply won't happen. Change your attitude and gain some altitude. Believe me, you'll love it up here."
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"You have to remember that I was a bright but simple fellow from Canada who seldom, if ever, met another writer, and then only a so-called literary type that occasionally sold a story and meanwhile worked in an office for a living."
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"I would walk along the quais when I had finished work or when I was trying to think something out. It was easier to think if I was walking and doing something or seeing people doing something that they understood."
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"It turns out that the distance from head to hand, from wafting butterfly to entomological specimen, is achieved through regular, disciplined practice. What begins as something like a dream will in fact stay a dream forever unless you have the tools and the discipline to bring it out."
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"Fueled by my inspiration, I ran across the room to steal the cup of coffee the bookshelf had taken prisoner. Lapping the black watery brew like a hyena, I tossed the empty cup aside. I then returned to the chair to continue my divine act of creation. Hot blood swished in my head as my mighty pen stole across the page."
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"Rich will be my life if I can keep my memories full and brimming, and record them on clear-eyed mornings while I set joyously to work setting pen to holy craft."
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"My circumstances of unrelieved responsibility and permanent distraction necessitated the short story form."
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"Anyone and everyone taking a writing class knows that the secret of good writing is to cut it back, pare it down, winnow, chop, hack, prune, and trim, remove every superfluous word, compress, compress, compress... Actually, when you think about it, not many novels in the Spare tradition are terribly cheerful. Jokes you can usually pluck out whole, by the roots, so if you're doing some heavy-duty prose-weeding, they're the first to go. And there's some stuff about the whole winnowing process I just don't get. Why does it always stop when the work in question has been reduced to sixty or seventy thousand words--entirely coincidentally, I'm sure, the minimum length for a publishable novel? I'm sure you could get it down to twenty or thirty if you tried hard enough. In fact, why stop at twenty or thirty? Why write at all? Why not just jot the plot and a couple of themes down on the back of an envelope and leave it at that? The truth is, there's nothing very utilitarian about fiction or its creation, and I suspect that people are desperate to make it sound manly, back-breaking labor because it's such a wussy thing to do in the first place. The obsession with austerity is an attempt to compensate, to make writing resemble a real job, like farming, or logging. (It's also why people who work in advertising put in twenty-hour days.) Go on, young writers--treat yourself to a joke, or an adverb! Spoil yourself! Readers won't mind!"
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"Who’s to say what a ‘literary life’ is? As long as you are writing often, and writing well, you don’t need to be hanging-out in libraries all the time. Nightclubs are great literary research centers. So is Ibiza!"
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"The best work that anybody ever writes is the work that is on the verge of embarrassing him, always."
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"The most important thing about art is to work. Nothing else matters except sitting down every day and trying."
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"By faith you can work miracles and perform heroic deeds"
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"God promised to bless the works of our hands. If you do not work, what is God going to bless you for?"
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"Having faith does not mean you should be idle and expecting manna to fall from above. You must get up and do something!"
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"Faith with work yields fulfillment"
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"Years ago I asked my friend, the great actress Ruth Gordon, to articulate in a few words the secret to her indomitable, unsinkable spirit. Her reply was a gift that became a mantra for me:“It takes courage. It takes believing in it. It takes work. It takes rising above it. It takes me liking you, and you liking me. It takes the dreaming soul of the human race that wants it to go right. Never stop dreaming. Think about it."
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"Joyfully we undertake our daily work."
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"I have to serve with all my might."
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"The Christian should work as if all depended upon him, and pray as if it all depended upon God."
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