"What right does my present have to speak of my past? Has my present some advantage over my past? What "grace" might have enlightened me? except that of passing time, or of a good cause, encountered on my way?"
4
"Time — how it expands to fill the spaces you create; how it makes meagre experiences seem never-ending. Whenever he heard people talk about the ravages of time, about how it robbed and deprived, Justin always smiled; because for him, time was an accomplice, plugging the gaps and fleshing out morsels of memory so he would have something substantial to hang on to. That way, however little he had seen or felt, he would always feel as if he had more: a life far richer than the truth."
3
"Time, I think, is like walking backward away from something: say, from a kiss. First there is the kiss; then you step back, and the eyes fill up your vision, then the eyes are framed in the face as you step further away; the face then is part of a body, and then the body is framed in a doorway, then the doorway framed in the trees beside it. The path grows longer and the door smaller, the trees fill up your sight and the door is lost, then the path is lost in the woods and the woods lost in the hills. Yet somewhere in the center still is the kiss. That's what time is like."
3
"The concept of Time is but the span of our memory."
3
"She has a memory of trees and fields and nothing more."
4
"When the battery in my watch died, I still wore it. There was something about the watch that said: It doesn’t matter what time it is. Think in months. Years. Someone loves you. Where are you going? There are some things you will never do. It doesn’t matter. There is no rush. Be the best prisoner you can be."
4
"The last moments slipped by, one by one, irretrievable."
4
"Not marble, nor the gilded monuments Of princes, shall outlive this powerful rhyme;But you shall shine more bright in these contents Than unswept stone, besmear'd with sluttish time. When wasteful war shall statues overturn, And broils root out the work of masonry, Nor Mars his sword nor war's quick fire shall burn The living record of your memory. 'Gainst death and all-oblivious enmity Shall you pace forth; your praise shall still find room Even in the eyes of all posterity That wear this world out to the ending doom. So, till the judgment that yourself arise, You live in this, and dwell in lovers' eyes."
3
"If I had to choose a moment in time when I knew my life would be different going forward—when I knew I would be different—this would be it."
4
"One must always maintain one’s connection to the past and yet ceaselessly pull away from it. To remain in touch with the past requires a love of memory. To remain in touch with the past requires a constant imaginative effort."
4
"I wished, more than anything, to forget. But what I had, more than anything, was time to remember."
4
"As Mary Grannon, the beloved Mary of The Canadian Broadcasting Corporation’s ‘Just Mary’ hour says:So many parents are clinging to some favorite story in their own youth and measuring all children's material by it—forgetting what the last minstrel found out in his travels, that 'old times are changed, old manners gone, a stranger fills the Stuart's throne.' Let's not be like the bigots of the iron time; let's be rooters for the modern."
3
"In a sense, the recording stylus and its reverse component have defeated time. Up until a little more than a generation ago, the sound of a word once uttered, a violin note once played, were possible treasures dropped into the none too safe repository of human memory; but the same sounds transferred to a wax or plastic or film or wire can live and vibrate again fifteen minutes or fifty years from now."
4
"...no moment cares, and the ones you wish could stretch out like a hammock for you to lie in, well, those moments leave the quickest and take everything good with them, little burglars, those moments, those hours, those days you loved the most."
4
"I am hopelessly in love with a memory. An echo from another time, another place."
4
"The 'Instagram Generation' now experiences the present as an anticipated memory."
4
"But then comes a time when forgetting isn't possible. And I do mean a particular time when no amount of dreaming, not then and maybe not ever, can change how naked and unimportant we become in our own eyes."
4
"Don't let the day go by without a handful of fun, for only those we'll be memorable and even intensified through time"
3
"I remember, in no particular order:—a shiny inner wrist;—steam rising from a wet sink as a hot frying pan is laughingly tossed into it;—gouts of sperm circling a plughole, before being sluiced down the full length of a tall house;—a river rushing nonsensically upstream, its wave and wash lit by half a dozen chasing torchbeams;—another river, broad and grey, the direction of its flow disguised by a stiff wind exciting the surface;—bathwater long gone cold behind a locked door. This last isn’t something I actually saw, but what you end up remembering isn’t always the same as what you have witnessed. We live in time—it holds us and moulds us—but I’ve never felt I understood it very well. And I’m not referring to theories about how it bends and doubles back, or may exist elsewhere in parallel versions. No, I mean ordinary, everyday time, which clocks and watches assure us passes regularly: tick-tock, click-clock. Is there anything more plausible than a second hand? And yet it takes only the smallest pleasure or pain to teach us time’s malleability. Some emotions speed it up, others slow it down; occasionally, it seems to go missing—until the eventual point when it really does go missing, never to return. I’m not very interested in my schooldays, and don’t feel any nostalgia for them. But school is where it all began, so I need to return briefly to a few incidents that have grown into anecdotes, to some approximate memories which time has deformed into certainty. If I can’t be sure of the actual events any more, I can at least be true to the impressions those facts left. That’s the best I can manage."
4
"... I need to return briefly to a few incidents that have grown into anecdotes, to some approximate memories which time has deformed into certainty."
4
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