Thomas Hardy, Far from the Madding Crowd
"Don't take on about her, Gabriel. What difference does it make whose sweetheart she is, since she can't be yours''That's the very thing I say to myself,' said Gabriel."
25 Quotes
"Don't take on about her, Gabriel. What difference does it make whose sweetheart she is, since she can't be yours''That's the very thing I say to myself,' said Gabriel."
"لا تشغل بالك بها يا غابرييل. ما الفرق إن كانت حبيبة فلان أو علان، ما دامت لا يمكن أن تكون لك؟"هذا هو عينه ما أقوله لنفسي،" قال غابرييل."
Thomas Hardy, Far from the Madding Crowd
"This supreme instance of Troy's goodness fell upon Gabriel's ears like the thirteenth stroke of a crazy clock."
"وقعت هذه الذروة من جودة تروي على أذني غابرييل كالدقة الثالثة عشرة لساعة مجنونة."
Thomas Hardy, Far from the Madding Crowd
"He is as good as anybody in this parish! He is very particular, too, about going to church-yes, he is!''I am afeard nobody ever saw him there. I never did, certainly.''The reason of that is,' she said eagerly, 'that he goes in privately by the old tower door, just when the service commences, and sits at the back of the gallery. He told me so.'This supreme instance of Troy's goodness fell upon Gabriel's ears like the thirteenth stroke of a crazy clock. It was not only received with utter incredulity as regarded itself, but threw doubt on all the assurances that had preceded it."
"إنه لا يقل شأناً عن أي شخص في هذه الرعية! وهو حريص جداً على الذهاب إلى الكنيسة – نعم، إنه كذلك!
"أخشى أن أحداً لم يره هناك قط. أنا لم أره، بالتأكيد."
قالت بحماس: "السبب في ذلك هو أنه يدخل سراً من باب البرج القديم، تماماً عند بدء الخدمة، ويجلس في مؤخرة الشرفة. هو أخبرني بذلك."
وقعت هذه الذروة في صلاح تروي على أذني غابرييل كضربة الساعة الثالثة عشرة من ساعة مجنونة. لم تُستقبل فقط بعدم تصديق مطلق فيما يخصها، بل ألقت بظلال الشك على جميع التأكيدات التي سبقتها."
Thomas Hardy, Far from the Madding Crowd
"Suddenly an unexpected series of sounds began to be heard in this place up against the starry sky. They were the notes of Oak´s flute. It came from the direction of a small dark object under the hedge - a shephard´s hut - now presenting an outline to which an unintiated person might have been puzzled to attach either meaning or use. ... Being a man not without a frequent consciousness that there was some charm in this life he led, he stood still after looking at the sky as a useful instrument, and regarded it in an appreciative spirit, as a work of art superlatively beautiful. For a moment he seemed impressed with the speaking loneliness of the scene, or rather with the complete abstraction from all its compass of the sights and sounds of man. ... Oak´s motions, though they had a quiet energy, were slow, and their deliberateness accorded well with his occupation. Fitness being the basis of beauty, nobody could have denied tha his steady swings and turns in and about the flock had elements of grace. His special power, morally, physically, and mentally, was static. ... Oak was an intensely human man: indee, his humanity tore in pieces any politic intentions of his which bordered on strategy, and carried him on as by gravitation. A shadow in his life had always been that his flock should end in mutton - that a day could find a shepherd an arrant traitor to his gentle sheep."
"فجأة، بدأت سلسلة غير متوقعة من الأصوات تُسمع في هذا المكان المتاخم للسماء المرصعة بالنجوم. كانت تلك نغمات مزمار أوك. جاءت من اتجاه جسم صغير مظلم تحت السياج الشجري – كوخ راعٍ – والذي كان يقدم الآن شكلاً قد يحير شخصًا غير مطلع في تحديد معناه أو فائدته. ... وبما أنه رجل لا يخلو من وعي متكرر بوجود سحر ما في هذه الحياة التي يعيشها، فقد وقف ساكنًا بعد أن نظر إلى السماء كأداة مفيدة، وتأملها بروح تقديرية، كعمل فني فائق الجمال. للحظة بدا وكأنه متأثر بالوحدة الناطقة للمشهد، أو بالأحرى بالانفصال التام عن كل ما يحيط به من مشاهد وأصوات البشر. ... كانت حركات أوك، وإن كانت تتسم بطاقة هادئة، بطيئة، وتناسبت عمدتها جيدًا مع مهنته. وبما أن اللياقة هي أساس الجمال، فلم يكن بوسع أحد أن ينكر أن تقلباته ودوراته الثابتة داخل القطيع وحوله كانت تحتوي على عناصر من الرشاقة. كانت قوته الخاصة، أخلاقيًا وجسديًا وعقليًا، ثابتة. ... كان أوك رجلاً إنسانيًا للغاية: في الواقع، كانت إنسانيته تمزق أي نوايا سياسية لديه تقترب من الاستراتيجية، وتدفعه كما لو بالجاذبية. كان ظل في حياته دائمًا هو أن قطيعه سينتهي لحمًا – وأن يومًا ما قد يجد الراعي خائنًا صريحًا لأغنامه الوديعة."
Thomas Hardy, Far from the Madding Crowd
"Bathsheba loved Troy in the way that only self-reliant women do when they abandon their self-reliance. When a strong woman recklessly throws away her strength, she is worse than a weak woman who has never had any strength to throw away."
"كان حب بثشبع لتروي من ذاك النوع الذي لا تعرفه إلا النساء العصاميات حين يتخلين عن عصاميتهن. فحين تلقي المرأة القوية بقوتها جزافًا، تكون أسوأ حالًا من المرأة الضعيفة التي لم تمتلك قط قوة لتلقي بها."
Thomas Hardy, Far from the Madding Crowd
"There is always an inertia to be overcome in striking out a new line of conduct – not more in ourselves, it seems, than in circumscribing events, which appear as if leagued together to allow no novelties in the way of amelioration."
"هناك دائمًا قصور ذاتي يجب التغلب عليه عند الشروع في مسلك جديد – ولا يبدو أن هذا القصور يكمن في ذواتنا فحسب، بل يتجلى أيضًا في الأحداث المحيطة التي تبدو وكأنها متضافرة لمنع أي مستجدات في سبيل التحسين."
Thomas Hardy, Far from the Madding Crowd
"To persons standing alone on a hill during a clear midnight such as this, the roll of the world is almost a palpable movement. To enjoy the epic form of that gratification it is necessary to stand on a hill at a small hour of the night, and, having first expanded with a sense of difference from the mass of civilized mankind, who are diregardful of all such proceedings at this time, long and quietly watch your stately progress through the stars."
"لمن يقف وحيدًا على تل في منتصف ليل صافٍ كهذا، يكاد دوران العالم يكون حركة ملموسة. وللاستمتاع بالشكل الملحمي لهذا الرضا، لا بد من الوقوف على تل في ساعة متأخرة من الليل، وبعد أن تتسع نفسك أولاً بشعور من التمايز عن جموع البشر المتحضرين، الذين يغفلون عن كل هذه الأحداث في هذا الوقت، تراقب طويلاً وبهدوء تقدمك المهيب عبر النجوم."
Thomas Hardy, Far from the Madding Crowd
"You know, mistress, that I love you, and shall love you always"
Thomas Hardy, Far from the Madding Crowd
"It may have been observed that there is no regular path for getting outof love as there is for getting in. Some people look upon marriage as ashort cut that way, but it has been known to fail."
Thomas Hardy, Far from the Madding Crowd
"When I want a broad-minded opinion for general enlightenment, distinct from special advice, I never go to a man who deals in the subject professionally. So I like the parson's opinion on law, the lawyer's on doctoring, the doctor's on business, and my business-man's . . . on morals."
Thomas Hardy, Far from the Madding Crowd
"Kiss my foot, sir; my face is for mouths of consequence."
Thomas Hardy, Far from the Madding Crowd
"But you are too lovely even to care to be kind as others are."
Thomas Hardy, Far from the Madding Crowd
"When the love-led man had ceased from his labours Bathsheba came and looked him in the face.'Gabriel, will you you stay on with me' she said, smiling winningly, and not troubling to bring her lips quite together again at the end, because there was going to be another smile soon.'I will,' said Gabriel. And she smiled on him again."
Thomas Hardy, Far from the Madding Crowd
"This good-fellowship—camaraderie—usually occurring through similarity of pursuits, is unfortunately seldom superadded to love between the sexes, because men and women associate, not in their labours, but in their pleasures merely."
Thomas Hardy, Far from the Madding Crowd
"We colour and mould according to the wants within us whatever our eyes bring in."
Thomas Hardy, Far from the Madding Crowd
"He was moderately truthful towards men, but to women lied like a Cretan-a system of ethics above all others calculated to win popularity at the first flush of admission into lively society."
Thomas Hardy, Far from the Madding Crowd
"It appears that ordinary men take wives because possession is not possible without marriage, and that ordinary women accept husbands because marriage is not possible without possession; with totally differing aims the method is the same on both sides. But the understood incentive on the woman's part was wanting here. Besides, Bathsheba's position as absolute mistress of a farm and house was a novel one, and the novelty had not yet begun to wear off."
Thomas Hardy, Far from the Madding Crowd
"He had been held to her by a beautiful thread which it pained him to spoil by breaking, rather than by a chain he could not break."
Thomas Hardy, Far from the Madding Crowd
"This good fellowship - camaraderie - usually occurring through the similarity of pursuits is unfortunately seldom super-added to love between the sexes, because men and women associate, not in their labors but in their pleasures merely. Where, however, happy circumstances permit its development, the compounded feeling proves itself to be the only love which is strong as death - that love which many waters cannot quench, nor the floods drown, besides which the passion usually called by the name is as evanescent as steam."
Thomas Hardy, Far from the Madding Crowd
"It appears that ordinary men take wives because possession is not possible without marriage, and that ordinary women accept husbands because marriage is not possible without possession"
Thomas Hardy, Far from the Madding Crowd
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