Charles Williams
"The image of a wood has appeared often enough in English verse. It has indeed appeared so often that it has gathered a good deal of verse into itself; so that it has become a great forest where, with long leagues of changing green between them, strange episodes of poetry have taken place. Thus in one part there are lovers of a midsummer night, or by day a duke and his followers, and in another men behind branches so that the wood seems moving, and in another a girl separated from her two lordly young brothers, and in another a poet listening to a nightingale but rather dreaming richly of the grand art than there exploring it, and there are other inhabitants, belonging even more closely to the wood, dryads, fairies, an enchanter's rout. The forest itself has different names in different tongues- Westermain, Arden, Birnam, Broceliande; and in places there are separate trees named, such as that on the outskirts against which a young Northern poet saw a spectral wanderer leaning, or, in the unexplored centre of which only rumours reach even poetry, Igdrasil of one myth, or the Trees of Knowledge and Life of another. So that indeed the whole earth seems to become this one enormous forest, and our longest and most stable civilizations are only clearings in the midst of it."
9 Quotes
"The image of a wood has appeared often enough in English verse. It has indeed appeared so often that it has gathered a good deal of verse into itself; so that it has become a great forest where, with long leagues of changing green between them, strange episodes of poetry have taken place. Thus in one part there are lovers of a midsummer night, or by day a duke and his followers, and in another men behind branches so that the wood seems moving, and in another a girl separated from her two lordly young brothers, and in another a poet listening to a nightingale but rather dreaming richly of the grand art than there exploring it, and there are other inhabitants, belonging even more closely to the wood, dryads, fairies, an enchanter's rout. The forest itself has different names in different tongues- Westermain, Arden, Birnam, Broceliande; and in places there are separate trees named, such as that on the outskirts against which a young Northern poet saw a spectral wanderer leaning, or, in the unexplored centre of which only rumours reach even poetry, Igdrasil of one myth, or the Trees of Knowledge and Life of another. So that indeed the whole earth seems to become this one enormous forest, and our longest and most stable civilizations are only clearings in the midst of it."
"لقد تكررت صورة الغابة مرارًا في الشعر الإنجليزي. بل لقد وردت من الكثرة بمكان، حتى استقطبت إليها قدرًا وافرًا من القصائد؛ فغدت غابة عظيمة، تتخللها مسافات شاسعة من الخضرة المتبدلة، شهدت في أرجائها فصولًا شعرية عجيبة. ففي ركن منها، يتجلى عشاق ليلة صيف، أو نهارًا دوق وحاشيته؛ وفي آخر، رجال يختبئون خلف الأغصان، فتبدو الغابة وكأنها تسير؛ وفي موضع ثالث، فتاة انفصلت عن أخويها الشابين النبيلين؛ وفي رابع، شاعر يصغي إلى عندليب، لكنه يحلم بفن عظيم أكثر مما يستكشفه هناك؛ وهناك قاطنون آخرون، ينتمون إلى الغابة بعمق أكبر: حوريات الغاب، وجنيات، وموكب ساحر. وتحمل الغابة نفسها أسماء مختلفة في ألسنة شتى: ويسترماين، أردن، بيرنام، بروسيلياند؛ وفي بعض البقاع، تُذكر أشجار بعينها، كتلك الشجرة على الأطراف التي رأى عليها شاعر شمالي يافع متجولًا شبحيًا يتكئ، أو في مركزها المجهول الذي لا تصله سوى الإشاعات حتى في الشعر، كشجرة إيغدراسيل في إحدى الأساطير، أو شجرتي المعرفة والحياة في أسطورة أخرى. وهكذا، تبدو الأرض بأسرها وكأنها هذه الغابة الهائلة الواحدة، وما حضاراتنا الأطول والأكثر استقرارًا إلا فسحات في قلبها."
Charles Williams
The Figure of Beatrice: A Study in Dante
"I think in order to move forward into the future, you need to know where you've been."
"للمضي قدمًا نحو المستقبل، لا بد من استيعاب ماضينا."
Charles Williams
"Many promising reconciliations have broken down because while both parties come prepared to forgive, neither party come prepared to be forgiven."
"كم من مصالحات واعدة انهارت، لا لأن الطرفين لم يأتيا مستعدين للمغفرة، بل لأن أحدهما لم يأتِ مستعداً لأن يُغفَر له."
Charles Williams
"Job plunges into a series of demands on and accusations of God which may be and indeed are epigrams of high intelligence, but are not noticeably patient."
"يغوص أيوب في سلسلة من المطالب والاتهامات الموجهة إلى الله، والتي قد تكون، بل هي بالفعل، حكم بالغة الذكاء، لكنها لا تتسم بالصبر الواضح."
Charles Williams
"Hell is indefinite."
"جهنم أبدية."
Charles Williams
"It’s said that the shuffling of the cards is the earth, and the pattering of the cards is the rain, and the beating of the cards is the wind, and the pointing of the cards is the fire. That’s of the four suits. But the Greater Trumps, it’s said, are the meaning of all process and the measure of the everlasting dance."
"يُقال إن خلط الأوراق هو الأرض، وإن تقطير الأوراق هو المطر، وإن خفق الأوراق هو الريح، وإن توجيه الأوراق هو النار. هذا من البدلات الأربع. أما الأوراق الكبرى، فيُقال إنها معنى كل سيرورة ومقياس الرقص الأبدي."
Charles Williams
"The altar must be built in one place so that the fire may come down in another place."
"يجب أن يُقام المذبح في موضع، كيما تهبط النار في موضع آخر."
Charles Williams
"The Church expected the Second Coming of Christ immediately. The converts had known a first coming. And then? And then! That was the trouble — the then. He had come, and they adored and believed, they communicated and practiced, and waited. The then lasted, and there seemed to be no farther equivalent Now. Time became the individual and catholic problem. The Church had to become as universal and as durable — as time."
"كانت الكنيسة تتوقع المجيء الثاني للمسيح على الفور. أما المهتدون، فقد عرفوا مجيئًا أول. ثم ماذا؟ ثم ماذا! تلك كانت المعضلة — "ثم ماذا". لقد جاء، فعبدوه وآمنوا به، وتواصلوا ومارسوا شعائرهم، وانتظروا. طال أمد "ثم ماذا"، وبدا أنه لا يوجد "الآن" مكافئ أبعد. أصبح الزمن المشكلة الفردية والجامعة. كان على الكنيسة أن تصبح عالمية ودائمة — كالزمن."
Charles Williams
"Our crucifixes exhibit the pain, but they veil, perhaps necessarily, the obscenity: but the death of the God-Man was both."
Charles Williams
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