Wendell Berry, The Art of the Commonplace: The Agrarian Essays

Wendell Berry, The Art of the Commonplace: The Agrarian Essays

"At this point, I want to say point-blank what I hope is already clear: though agrarianism proposes that everybody has agrarian responsibilities, it does not propose that everybody should be a farmer or that we do not need cities. Nor does it propose that every product be a necessity. Furthermore, any thinkable human economy would have to grant to manufacturing an appropriate and honorable place. Agrarians would insist only that any manufacturing enterprise should be formed and scaled to fit the local landscape, the local ecosystem, and the local community, and that it should be locally owned and employ local people. They would insist, in other words, that the shop or factory owner should not be an outsider, but rather a sharer in the fate of the place and the community. The deciders should live with the results of their decisions."
53 Quotes
"At this point, I want to say point-blank what I hope is already clear: though agrarianism proposes that everybody has agrarian responsibilities, it does not propose that everybody should be a farmer or that we do not need cities. Nor does it propose that every product be a necessity. Furthermore, any thinkable human economy would have to grant to manufacturing an appropriate and honorable place. Agrarians would insist only that any manufacturing enterprise should be formed and scaled to fit the local landscape, the local ecosystem, and the local community, and that it should be locally owned and employ local people. They would insist, in other words, that the shop or factory owner should not be an outsider, but rather a sharer in the fate of the place and the community. The deciders should live with the results of their decisions."
Wendell Berry, The Art of the Commonplace: The Agrarian Essays
"Odd as I am sure it will appear to some, I can think of no better form of personal involvement in the cure of the environment than that of gardening. A person who is growing a garden, if he is growing it organically, is improving a piece of the world. He is producing something to eat, which makes him somewhat independent of the grocery business, but he is also enlarging, for himself, the meaning of food and the pleasure of eating."
Wendell Berry, The Art of the Commonplace: The Agrarian Essays
"The difference between a path and a road is not only the obvious one. A path is little more than a habit that comes with knowledge of a place. It is a sort of ritual of familiarity. As a form, it is a form of contact with a known landscape. It is not destructive. It is the perfect adaptation, through experience and familiarity, of movement to place; it obeys the natural contours; such obstacles as it meets it goes around."
Wendell Berry, The Art of the Commonplace: The Agrarian Essays
"Community, then, is an indispensable term in any discussion of the connection between people and land. A healthy community is a form that includes all the local things that are connected by the larger, ultimately mysterious form of the Creation. In speaking of community, then, we are speaking of a complex connection not only among human beings or between humans and their homeland but also between human economy and nature, between forest or prairie and field or orchard, and between troublesome creatures and pleasant ones. All neighbors are included. (pg. 202-203, Conservation and Local Economy)"
Wendell Berry, The Art of the Commonplace: The Agrarian Essays
"In the loss of skill, we lose stewardship; in losing stewardship we lose fellowship; we become outcasts from the great neighborhood of Creation. It is possible - as our experience in this good land shows - to exile ourselves from Creation, and to ally ourselves with the principle of destruction - which is, ultimately, the principle of nonentity. It is to be willing in general for being to not-be. And once we have allied ourselves with that principle, we are foolish to think that we can control the results. (pg. 303, The Gift of Good Land)"
Wendell Berry, The Art of the Commonplace: The Agrarian Essays
"In a time of disorder [Laertes] has returned to the care of the earth, the foundation of life and hope. And Odysseus finds him in an act emblematic of the best and most responsible kind of agriculture: an old man caring for a young tree. (pg. 123, The Body and the Earth)"
Wendell Berry, The Art of the Commonplace: The Agrarian Essays
"The principle of neighborhood at home always implies the principle of charity abroad. (pg. 260, The Idea of a Local Economy)"
Wendell Berry, The Art of the Commonplace: The Agrarian Essays
"Only by restoring the broken connections can we be healed. Connection is health. And what our society does its best to disguise from us is how ordinary, how commonly attainable, health is. We lose our health—and create profitable diseases and dependences—by failing to see the direct connections between living and eating, eating and working, working and loving."
Wendell Berry, The Art of the Commonplace: The Agrarian Essays
"I believe that the community - in the fullest sense: a place and all its creatures - is the smallest unit of health and that to speak of the health of an isolated individual is a contradiction in terms. (pg. 146, Health is Membership)"
Wendell Berry, The Art of the Commonplace: The Agrarian Essays
"The pleasure of eating should be an extensive pleasure, not that of the mere gourmet. People who know the garden in which their vegetables have grown and know that the garden is healthy will remember the beauty of the growing plants, perhaps in the dewy first light of morning when gardens are at their best. Such a memory involves itself with the food and is one of the pleasures of eating. (pg. 326, The Pleasures of Eating)"
Wendell Berry, The Art of the Commonplace: The Agrarian Essays
"To live, we must daily break the body and shed the blood of Creation. When we do this knowingly, lovingly, skillfully, reverently, it is a sacrament. When we do it ignorantly, greedily, clumsily, destructively, it is a desecration. In such desecration we condemn ourselves to spiritual and moral loneliness, and others to want."
Wendell Berry, The Art of the Commonplace: The Agrarian Essays
"People use drugs, legal and illegal, because their lives are intolerably painful or dull. They hate their work and find no rest in their leisure. They are estranged from their families and their neighbors. It should tell us something that in healthy societies drug use is celebrative, convivial, and occasional, whereas among us it is lonely, shameful, and addictive. We need drugs, apparently, because we have lost each other."
Wendell Berry, The Art of the Commonplace: The Agrarian Essays
"Healing is impossible in loneliness; it is the opposite of loneliness. Conviviality is healing. To be healed we must come with all the other creatures to the feast of Creation.(pg.99, "The Body and the Earth")"
Wendell Berry, The Art of the Commonplace: The Agrarian Essays
"Marriage has now taken the form of divorce: a prolonged and impassioned negotiation as to how things shall be divided. (from "Feminism, the Body, and the Machine")"
Wendell Berry, The Art of the Commonplace: The Agrarian Essays
"The forsaking of all others is a keeping of faith, not just with the chosen one, but with the ones forsaken. The marriage vow unites not just a woman and a man with each other; it unites each of them with the community in a vow of sexual responsibility toward all others. The whole community is married, realizes its essential unity, in each of its marriages... Marital fidelity, that is, involves the public or institutional as well as the private aspect of marriage. One is married to marriage as well as to one's spouse. But one is married also to something vital of one's own that does not exist before the marriage: one's given word. It now seems to me that the modern misunderstanding of marriage involves a gross misunderstanding and underestimation of the seriousness of giving one's word, and of the dangers of breaking it once it is given. Adultery and divorce now must be looked upon as instances of that disease of word-breaking, which our age justifies as "realistic" or "practical" or "necessary," but which is tattering the invariably single fabric of speech and trust.(pg.117, "The Body and the Earth")"
Wendell Berry, The Art of the Commonplace: The Agrarian Essays
"Marriage, in what is evidently its most popular version, is now on the one hand an intimate 'relationship' involving (ideally) two successful careerists in the same bed, and on the other hand a sort of private political system in which rights and interests must be constantly asserted and defended. Marriage, in other words, has now taken the form of divorce: a prolonged and impassioned negotiation as to how things shall be divided. During their understandably temporary association, the 'married' couple will typically consume a large quantity of merchandise and a large portion of each other. The modern household is the place where the consumptive couple do their consuming. Nothing productive is done there. Such work as is done there is done at the expense of the resident couple or family, and to the profit of suppliers of energy and household technology. For entertainment, the inmates consume television or purchase other consumable diversion elsewhere. There are, however, still some married couples who understand themselves as belonging to their marriage, to each other, and to their children. What they have they have in common, and so, to them, helping each other does not seem merely to damage their ability to compete against each other. To them, 'mine' is not so powerful or necessary a pronoun as 'ours.'This sort of marriage usually has at its heart a household that is to some extent productive. The couple, that is, makes around itself a household economy that involves the work of both wife and husband, that gives them a measure of economic independence and self-employment, a measure of freedom, as well as a common ground and a common satisfaction. (From "Feminism, the Body, and the Machine")"
Wendell Berry, The Art of the Commonplace: The Agrarian Essays
"Until we understand what the land is, we are at odds with everything we touch. And to come to that understanding it is necessary, even now, to leave the regions of our conquest - the cleared fields, the towns and cities, the highways - and re-enter the woods. For only there can a man encounter the silence and the darkness of his own absence. Only in this silence and darkness can he recover the sense of the world's longevity, of its ability to thrive without him, of his inferiority to it and his dependence on it. Perhaps then, having heard that silence and seen that darkness, he will grow humble before the place and begin to take it in - to learn from it what it is. As its sounds come into his hearing, and its lights and colors come into his vision, and its odors come into his nostrils, then he may come into its presence as he never has before, and he will arrive in his place and will want to remain. His life will grow out of the ground like the other lives of the place, and take its place among them. He will be with them - neither ignorant of them, nor indifferent to them, nor against them - and so at last he will grow to be native-born. That is, he must reenter the silence and the darkness, and be born again.(pg. 27, "A Native Hill")"
Wendell Berry, The Art of the Commonplace: The Agrarian Essays
"Once the creator was removed from the creation, divinity became only a remote abstraction, a social weapon in the hands of the religious institutions. This split in public values produced or was accompanied by, as it was bound to be, an equally artificial and ugly division in people's lives, so that a man, while pursuing Heaven with the sublime appetite he thought of as his soul, could turn his heart against his neighbors and his hands against the world... Though Heaven is certainly more important than the earth if all they say about it is true, it is still morally incidental to it and dependent on it, and I can only imagine it and desire it in terms of what I know of the earth. (pg. 23, "A Native Hill")"
Wendell Berry, The Art of the Commonplace: The Agrarian Essays
"If we are to have a culture as resilient and competent in the face of necessity as it needs to be, then it must somehow involve within itself a ceremonious generosity toward the wilderness of natural force and instinct. The farm must yield a place to the forest, not as a wood lot, or even as a necessary agricultural principle but as a sacred grove - a place where the Creation is let alone, to serve as instruction, example, refuge; a place for people to go, free of work and presumption, to let themselves alone. (pg. 125, The Body and the Earth)"
Wendell Berry, The Art of the Commonplace: The Agrarian Essays
"We do not need to plan or devise a "world of the future"; if we take care of the world of the present, the future will have received full justice from us. A good future is implicit in the soils, forests, grasslands, marshes, deserts, mountains, rivers, lakes, and oceans that we have now, and in the good things of human culture that we have now; the only valid "futurology" available to us is to take care of those things. We have no need to contrive and dabble at "the future of the human race"; we have the same pressing need that we have always had - to love, care for, and teach our children.(pg. 73, "Feminism, the Body, and the Machine")"
Wendell Berry, The Art of the Commonplace: The Agrarian Essays
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