Louis-Ferdinand Céline, Journey to the End of the Night

Louis-Ferdinand Céline, Journey to the End of the Night

"The forest is only waiting for their signal to start trembling, hissing, and roaring from its depths. An enormous, love-maddened, unlighted railway station, full to bursting. Whole trees bristling with living noise makers, mutilated erections, horror."
31 Quotes
"The forest is only waiting for their signal to start trembling, hissing, and roaring from its depths. An enormous, love-maddened, unlighted railway station, full to bursting. Whole trees bristling with living noise makers, mutilated erections, horror."
Louis-Ferdinand Céline, Journey to the End of the Night
"Dreams rise in the darkness and catch fire from the mirage of moving light. What happens on the screen isn't quite real; it leaves open a vague cloudy space for the poor, for dreams and the dead. Hurry hurry, cram yourself full of dreams to carry you through the life that's waiting for you outside, when you leave here, to help you last a few days more in that nightmare of things and people. Among the dreams, choose the ones most likely to warm your soul."
Louis-Ferdinand Céline, Journey to the End of the Night
"Death after all is only a matter of a few hours, a few minutes, but a pension is like poverty, it lasts a whole lifetime. Rich people are drunk in a different way, they can't understand this frenzy about security. Being rich is another kind of drunkenness, the forgetful kind. That, in fact, is the whole point of getting rich: to forget."
Louis-Ferdinand Céline, Journey to the End of the Night
"I hadn't found out yet that mankind consists of two very different races, the rich and the poor. It took me ... and plenty of other people . . . twenty years and the war to learn to stick to my class and ask the price of things before touching them, let alone setting my heart on them."
Louis-Ferdinand Céline, Journey to the End of the Night
"There's something sad about people going to bed. You can see they don't give a damn whether they're getting what they want out of life or not, you can see they don't even try to understand what we're here for. They just don't care."
Louis-Ferdinand Céline, Journey to the End of the Night
"Travel is useful, it exercises the imagination. All the rest is disappointment and fatigue. Our journey is entirely imaginary. That is its strength. It goes from life to death. People, animals, cities, things, all are imagined. It's a novel, just a fictitious narrative. Littre says so and he's never wrong. And besides, in the first place, anyone can do as much. You just have to close your eyes. It's on the other side of life."
Louis-Ferdinand Céline, Journey to the End of the Night
"My mother, writing from France, admonished me to take care of my health as she had during the war. My head could be all set for the guillotine, and still my mother would scold me for forgetting my muffler. She never missed an opportunity to try and convince me that the world is a kindly place and that she'd done a good job in conceiving me. This alleged Providence was the great subterfuge of maternal thoughtlessness."
Louis-Ferdinand Céline, Journey to the End of the Night
"In my room I'd barely closed my eyes when the blonde from the movie house came along and sang her whole song of sorrow just for me. I helped her put me to sleep, so to speak, and succeeded pretty well... I wasn't entirely alone... It's not possible to sleep alone..."
Louis-Ferdinand Céline, Journey to the End of the Night
"I crawled back into myself all alone, just delighted to observe that I was even more miserable than before, because I had brought a new kind of distress and something that resembled true feeling into my solitude."
Louis-Ferdinand Céline, Journey to the End of the Night
"If only I had met Molly sooner, when it was still possible to choose one road rather than another. Before that bitch Musyne and that little turd Lola crimped my enthusiasm. But it was too late to start being young again. I didn't believe in it anymore. We grow old so quickly and, what's more, irremediably. You can tell by the way you start loving your misery in spite of yourself. Nature is stronger than we are, no two ways about it. She tries us in one particular mold, and we're never able to throw it off. I had started out as the restless type. Little by little, without realizing it, you begin to take your role and fate seriously, and before you know it, it's too late to change. You're a hundred-percent restless, and it's set that way for good."
Louis-Ferdinand Céline, Journey to the End of the Night
"The mother was looking at nothing and listening to nothing but herself. “It’ll kill me, doctor! I’ll die of shame!” I made no attempt to dissuade her. I didn’t know what to do. We could see the father pacing back and forth in the little dining room next door. Apparently he hadn’t finished composing his attitude for the occasion. Maybe he was waiting for things to come to a head before selecting a posture. He was in a kind of limbo. People live from one play to the next. In between, before the curtain goes up, they don’t quite know what the plot will be or what part will be right for them, they stand there at a loss, waiting to see what will happen, their instincts folded up like an umbrella, squirming, incoherent, reduced to themselves, that is, to nothing. Cows without a train."
Louis-Ferdinand Céline, Journey to the End of the Night
"Our life is a journey, through winter and night, We look for our way, in a sky without light. (Song of the Swiss Guards, 1793)"
Louis-Ferdinand Céline, Journey to the End of the Night
"Poor people never, or hardly ever, ask for an explanation of all they have to put up with. They hate one another, and content themselves with that."
Louis-Ferdinand Céline, Journey to the End of the Night
"A man should be resigned to knowing himself a little better each day if he hasn't got the guts to put an end to his sniveling once and for all."
Louis-Ferdinand Céline, Journey to the End of the Night
"We have got into the habit of admiring colossal bandits, whose opulence is revered by the entire world, yet whose existence, once we stop to examine it, proves to be one long crime repeated ad infinitum, but those same bandits are heaped with glory, honors, and power, their crimes are hallowed by the law of the land, whereas, as far back in history as the eye can see—and history, as you know is my business—everything conspires to show that a venial theft, especially of inglorious foodstuffs, such as bread crusts, ham, or cheese, unfailingly subjects its perpetrator to irreparable opprobrium, the categoric condemnation of the community, major punishment, automatic dishonor, and inexpiable shame, and this for two reasons, first because the perpetrator of such an offense is usually poor, which in itself connotes basic unworthiness, and secondly because his act implies, as it were, a tacit reproach to the community. A poor man’s theft is seen as a malicious attempt at individual redress . . . Where would we be? Note accordingly that in all countries the penalties for petty theft are extremely severe, not only as a means of defending society, but also as a stern admonition to the unfortunate to know their place, stick to their caste, and behave themselves, joyfully resigned to go on dying of hunger and misery down through the centuries forever and ever …"
Louis-Ferdinand Céline, Journey to the End of the Night
"There would be nothing but darkness, same darkness as everywhere else, an enormous darkness that swallowed up the road two steps ahead of us, only a little sliver of road about the size of your tongue was spared by the darkness."
Louis-Ferdinand Céline, Journey to the End of the Night
"You can lose your way groping among the shadows of the past."
Louis-Ferdinand Céline, Journey to the End of the Night
"You can lose your way groping among the shadows of the past. It's frightening how many people and things there are in a man's past that have stopped moving. The living people we've lost in the crypts of time sleep so soundly side by side with the dead that the same darkness envelops them all. As we grow older, we no longer know whom to awaken, the living or the dead."
Louis-Ferdinand Céline, Journey to the End of the Night
"The sadness of the world has different ways of getting to people, but it seems to succeed almost every time."
Louis-Ferdinand Céline, Journey to the End of the Night
"Now was the time to make quick tracks. Back to Fort-Gono, retrace my steps? Try to explain my conduct and the circumstances of the present disaster? I hesitated . . . Not for long. Nothing can be explained. The world only knows how to do one thing, to roll over and kill you, as a sleeper kills his fleas. That would be a stupid way to die, I said to myself, to let myself be crushed like everybody else. To put your trust in men is to get yourself killed a little."
Louis-Ferdinand Céline, Journey to the End of the Night
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