Milan Kundera, The Unbearable Lightness of Being

"The cemetery was vanity transmogrified into stone. Instead of growing more sensible in death, the inhabitants of the cemetery were sillier than they had been in life."

"He yearned to step out of his life the way one steps out of a house into the street."

"Looking out over the courtyard at the dirty walls, he realized he had no idea whether it was hysteria or love."

"It is a tragicomic fact that our proper upbringing has become an ally of the secret police. We do not know how to lie."

"The beauty of New York rests on a completely different base. It's unintentional. It arose independent of human design, like a stalagmitic cavern. Forms which are in themselves quite ugly turn up fortuitously, without design, in such incredible surroundings that they sparkle with a sudden wondrous poetry."

"Her weakness was aggressive and kept forcing him to capitulate until eventually he lost his strength and was transformed into the rabbit in her arms ."

"It was vertigo. A heady, insuperable longing to fall. We might also call vertigo the intoxication of the weak. Aware of his weakness, a man decides to give in rather than stand up to it. He is drunk with weakness, wishes to grow even weaker, wishes to fall down in the middle of the main square in front of everybody, wishes to be down, lower than down." -Milan Kundera, The Unbearable Lightness of Being, p. 76"

"If every second of our lives recurs an infinite number of times, we are nailed to eternity as Jesus was nailed to the cross. It is a terrifying prospect."

"Back at home, after some prodding from Tereza, he admitted that he had been jealous watching her dance with a colleague of his. "You mean you were really jealous" she asked him ten times or more, incredulously, as though someone had just informed her she had been awarded a Nobel Peace prize. Then she put her arm around his waist and began dancing across the room. The step she used was not the one she had shown off in the bar. It was more like a village polka, a wild romp that sent her legs flying in the air and her torso bounding all over the room, with Tomas in tow. Before long, unfortunately, she bagan to be jealous herself, and Tomas saw her jealously not as a Nobel Prize, but as a burden, a burden he would be saddled with until not long before his death."

"Dreaming is not only an act of communication; it is also an aesthetic activity, a game of the imagination, a game that is a value in itself. Our dreams prove that to imagine - to dream about things that have not happened - is among mankind’s deepest needs. Herein lies the danger. If dreams were beautiful, they would quickly be forgotten."

"No one can give anyone else the gift of the idyll; only an animal can do so, because only animals were not expelled from Paradise. The love between dog and man is idyllic. It knows no conflicts, no hair-raising scenes; it knows no development."

"True human goodness, in all its purity and freedom, can come to the fore only when its recipient has no power."

"Metaphors are dangerous. Metaphors are not to be trifled with."

"The old duality of body and soul has become shrouded in scientific terminology, and we can laugh at it as merely an obsolete prejudice. But just make someone who has fallen in love listen to his stomach rumble, and the unity of body and soul, that lyrical illusion of the age of science, instantly fades away."

"There is no particular merit in being nice to one's fellow man... We can never establish with certainty what part of our relations with others is a result of our emotions - love apathy, charity of malice - and what part is predetermines by the constant power play among individuals. True human goodness, in all its purity and freedom, can come to the fore only when its recipient has no power. Mankind's true moral test, its fundamental test (which lies deeply buries from view), consists of attitude towards those who are at its mercy: animals. And in this respect mankind has suffered a fundamental débâcle, a débâcle so fundamental all others stem from it."

"metaphors are dangerous. Metaphors are not to be trifled with. A single metaphor can give birth to love"

"For Sabina, living in truth, lying neither to ourselves not others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntarily make allowances for that eye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies. Sabina despised literature in which people give away all kinds of intimate secrets about themselves and their friends. A man who loses his privacy loses everything, Sabina thought. And a man who gives it up on his own free will is a monster. That is why Sabina did not suffer in the least from having to keep her love a secret. On the contrary, only by doing so could she live the truth."

"True human goodness, in all its purity and freedom, can come to the fore only when its recipient has no power. Mankind's true moral test, its fundamental test (which is deeply buried from view), consists of its attitude towards those who are at its mercy: animals."

"It is a tragicomic fact that our proper upbringing has become an ally of the secret police. (...) The "Tell the truth!" imperative drummed into us so automatically that we feel ashamed of lying even to a secret policeman."

"In modern times an idea can be refuted, yes, but not retracted"