Toni Morrison

"It never occurred to us that the Earth itself might have been unyielding"

"We don't need any more writers as solitary heroes. We need a heroic writer's movement: assertive, militant, pugnacious."

"It comforts everybody to think of all Negroes as dirt poor, and to regard those who were not, who earned good money and kept it, as some kind of shameful miracle. White people liked that idea because Negroes with money and sense made them nervous. Colored people liked it because, in those days, they trusted poverty, believed it was a virtue and a sure sign of honesty. Too much money had a whiff of evil and somebody else's blood."

"“If there's a book that you want to read, but it hasn't been written yet, then you must write it.”"

"I can't tell you why I was in love with her. People didn't require that much as they do now. Folks were expected to be civilized to one another, honest, and - and clear. You relied on people being what they said they were, because there was no other way to survive."

"I really think the range of emotions and perceptions I have had access to as a black person and as a female person are greater than those of people who are neither... So it seems to me that my world did not shrink because I was a black female writer. It just got bigger."

"As it turned out, the sachem had been dead wrong. The Europes neither fled nor died out. In fact, said the old women in charge of the children, he had apologized for this error in prophecy and admitted that however many collapsed from ignorance or disease more would always come. They would come with languages that sounded like a dog bark; with a childish hunger for animal fur. They would forever fence land, ship whole trees to faraway countries, take any woman for quick pleasure, ruin soil, befoul sacred place and worship a dull, unimaginative god. They let their hogs browse the ocean shore turning it into dunes of sand where nothing green can ever grow again. Cut loose from the earth's soul, they insisted on purchase of its soil, and like all orphans they were insatiable. It was their destiny to chew up the world and spit out a horribleness that would destroy all primary peoples."

"Naturally all of them had a sad story: too much notice, not enough, or the worst kind. Some tale about dragon daddies and false-hearted men, or mean mamas and friends who did them wrong. Each story has a monster in it who made them tough instead of brave, so they open their legs rather than their hearts where that folded child is tucked."

"Everywhere, everywhere, children are the scorned people of the earth."

"I always looked upon the acts of racist exclusion, or insult, as pitiable, for the other person. I never absorbed that. I always thought that there was something deficient about such people."

"I merged those two words, black and feminist, because I was surrounded by black women who were very tough and and who always assumed they had to work and rear children and manage homes."

"I don't think anybody cares about unwed mothers unless they're black or poor. The question is not morality, the question is money. That's what we're upset about."

"I don't think a female running a house is a problem, a broken family. It's perceived as one because of the notion that a head is a man."

"I am charmed by the idea that there is an activity known as work and another as play, although even in grade school the distinction eluded me. I remember how full of hope I was sitting in first-period home room listening to the teacher divide up our activities into purposeful sections. I got a grip on her process, at last, by picturing it in the following way: A cow stands in clover. When she is milked, that is her work; when she is merely eating, that is her play. But the problem lay, then as now, in the realization that, in any case, she is standing in clover. Not a handsome or elegant analogy, but it approximates for me the habit of reading - standing in a world of clover, the eating of which is occasionally utilitarian, usually nourishing, because that's what one does"

"I want to remind us all that art is dangerous. I want to remind you of the history of artists who have been murdered, slaughtered, imprisoned, chopped up, refused entrance. The history of art, whether it's in music or written or what have you, has always been bloody, because dictators and people in office and people who want to control and deceive know exactly the people who will disturb their plans. And those people are artists. They're the ones that sing the truth. And that is something that society has got to protect. But when you enter that field, no matter whether that's Sonia's poetry or Ta-Nehisi's rather startlingly clear prose, it's a dangerous pursuit. Somebody's out to get you. You have to know it before you start, and do it under those circumstances, because it is one of the most important things that human beings do."

"For me, Art is the restoration of order. It may discuss all sort of terrible things, but there must be satisfaction at the end. A little bit of hunger, but also satisfaction."

"This is the time for every artist in every genre to do what he or she does loudly and consistently. It doesn't matter to me what your position is. You've got to keep asserting the complexity and the originality of life, and the multiplicity of it, and the facets of it. This is about being a complex human being in the world, not about finding a villain. This is no time for anything else than the best that you've got."

"Black literature is taught as sociology, as tolerance, not as a serious, rigorous art form."

"Everybody gets everything handed to them. The rich inherit it. I don't mean just inheritance of money. I mean what people take for granted among the middle and upper classes, which is nepotism, the old-boy network."

"Black people have always been used as a buffer in this country between powers to prevent class war."