John Green, Let It Snow: Three Holiday Romances
"Tobin," Mom said disapprovingly. She wasn't a particularly funny person. It suited her professionally - I mean, you don't want your cancer surgeon to walk into the examination room and be like, "Guy walks into a bar. Bartender says, 'What'll ya have' And the guy says, 'Whaddya got' And the bartender says, 'I don't know what I got, but I know what you got: Stage IV melanoma."
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"Tobin," Mom said disapprovingly. She wasn't a particularly funny person. It suited her professionally - I mean, you don't want your cancer surgeon to walk into the examination room and be like, "Guy walks into a bar. Bartender says, 'What'll ya have' And the guy says, 'Whaddya got' And the bartender says, 'I don't know what I got, but I know what you got: Stage IV melanoma."
"توبين،" قالت أمي بنبرة استنكار. لم تكن شخصية مرحة على وجه الخصوص. وهذا كان يناسبها مهنياً – أعني، لا تريد لجراح السرطان أن يدخل غرفة الفحص ويقول: "رجل يدخل حانة. يسأله النادل: 'ماذا تطلب؟' فيجيب الرجل: 'ماذا لديك؟' فيقول النادل: 'لا أعرف ما لدي، لكنني أعرف ما لديك: سرطان الجلد في المرحلة الرابعة."
John Green, Let It Snow: Three Holiday Romances
"Cousin-screwing. It is not totally safe. It raises the risk of birth defects slightly. But I was reading in a book for history that there's, like, a 99.9999 percent chance that at least one of your great-great-great-grandparents married first cousin."
"زواج الأقارب. إنه ليس آمنًا تمامًا، فهو يزيد قليلًا من خطر العيوب الخلقية. لكنني كنت أقرأ في كتاب تاريخ أن هناك، على الأرجح، فرصة بنسبة 99.9999 بالمائة أن يكون أحد أجداد أجداد أجدادك قد تزوج من ابنة عمه الأولى."
John Green, Let It Snow: Three Holiday Romances
"There is always the risk: something is good and good and good, and then all at once it gets awkward. All at once, she sees you looking at her, and then she doesn't want to seem flirty, because she doesn't want you to think she likes you. It's such a disaster, whenever, in the course of human relationships, someone begins to chisel away all the wall of separation between friendship and kissing. Breaking down that wall is the kind of story that might have a happy middle--oh, look, we broke down this wall, I'm going to look at you like a girl and you're going to look like me like a boy and we're going to play a fun game called Can I Put My Hand There What About There What About There. And sometimes that happy middle looks so great that you can convince yourself that it's not the middle but will last forever."
"يحدق الخطر دائمًا: أن يكون كل شيء على ما يرام، ثم فجأة يكتنفه الحرج. فجأة، تراك تنظر إليها، فلا ترغب حينها أن تُظهِر ميلاً، خشية أن تظن أنها معجبة بك. إنها لكارثة محققة، كلما، في غمار العلاقات البشرية، يبدأ أحدهم في نحت جدار الفصل بين الود والقبلات. هدم ذلك الجدار قصة قد يكون لها منتصف بهيج – آه، انظر، لقد أزلنا هذا الجدار، سأنظر إليكِ نظرة فتاة وستنظر إليّ نظرة فتى وسنخوض لعبة مسلية تدعى "هل لي أن أضع يدي هنا؟ وماذا عن هناك؟ وماذا عن هناك؟". وأحيانًا يبدو ذلك المنتصف البهيج من الروعة بمكان يجعلك تقنع نفسك بأنه ليس مجرد منتصف، بل سيدوم إلى الأبد."
John Green, Let It Snow: Three Holiday Romances
"JP shouted, "TELL THEM WHAT YOU JUST DID TO EACH OTHER!"Um," I said."We kissed," the Duke said."That's kinda gay," Keun said."I AM A GIRL."Yeah, I know, but so is Tobin," Keun said."
"صاح جيه بي: "أخبِريهما بما فعلتماه لبعضكما للتو!"
"إممم،" قلت أنا.
قال الدوق: "لقد تبادلنا قبلة."
قال كيون: "هذا مثليٌّ نوعًا ما."
"أنا فتاة!"
قال كيون: "أجل، أعلم، لكن توبين كذلك."
John Green, Let It Snow: Three Holiday Romances
"Sorry," I said to the Duke."Eh, it's not your fault. It's Carla's fault. You were turning the wheel. Carla just wasn't listening. I knew I shouldn't have loved her. She's like all the others, Tobin; as soon as I confess my love, she abandons me."I laughed. "I never abandoned you," I said patting on her back."Yeah, well, (a.) I never confessed my love to you, and (b.) I'm not even female to you."
"عذرًا،" قلت للدوق.
"آه، ليس ذنبك. إنه ذنب كارلا. كنت تدير العجلة. كارلا لم تكن تستمع وحسب. كنت أعلم أنه ما كان ينبغي لي أن أحبها. إنها مثل الأخريات كلهن يا توبين؛ بمجرد أن أعترف بحبي، تهجرني."
ضحكت. "لم أهجرك قط،" قلت رابتًا على ظهرها.
"نعم، حسنًا، (أ) لم أعترف لك بحبي قط، و (ب) أنا لست أنثى بالنسبة لك حتى."
John Green, Let It Snow: Three Holiday Romances
"We just did an awesome job of not dying."
"لقد أبدعنا للتو في عدم الموت."
John Green, Let It Snow: Three Holiday Romances
"We were just standing there, and her eyes were so interesting. Not in the usual way of being interesting, like being extremely blue or extremely big or flanked by obscenely long lashes or anything."
"كنا نقف هناك وحسب، وكانت عيناها مثيرتين للاهتمام. لا بالطريقة المعتادة التي تثير بها العيون الاهتمام، كأن تكون شديدة الزرقة أو بالغة الكبر أو محاطة برموش طويلة بشكل فاحش أو ما شابه."
John Green, Let It Snow: Three Holiday Romances
"and then I couldn't wait anymore, and my hand was on the back of her head, and then her lips on mine, the cold air gone and replaced with the warmth of her mouth, soft and sweet and hash-brown-tastic"
"ثم لم أعد أطيق الانتظار، وكانت يدي على مؤخرة رأسها، ثم شفتاها على شفتي، وقد تبدد الهواء البارد ليحل محله دفء فمها، ناعمًا وعذبًا ولذيذًا كالبطاطس المقلية."
John Green, Let It Snow: Three Holiday Romances
"I wanted us to have an adventure. Because I love that crap. Because I'm not whatever-her-name-is. I don't think it's oh so hard to walk four miles in the snow. I want that. I love that."
John Green, Let It Snow: Three Holiday Romances
"Once you think a thought, it is extremely difficult to unthink it. And I had thought the thought."
John Green, Let It Snow: Three Holiday Romances
"...being in a bad mood with your friends beats being in a bad mood without them."
John Green, Let It Snow: Three Holiday Romances
"Lady and gentleman, when my parents left Korea with nothing but the clothes on their backs and the considerable wealth they had amassed in the shipping business, they had a dream. They had a dream that one day amid the snowy hilltops of western North Carolina, their son would lose his virginity to a cheerleader in the woman's bathroom of a Waffle House just off the interstate. My parents have sacrificed so much for this dream! And that is why we must journey on, despite all trials and tribulations! Not for me and least of all for the poor cheerleader in question, but for my parents and indeed for all immigrants who came to his great nation in what they themselves could never have: CHEERLEADER SEX."
John Green, Let It Snow: Three Holiday Romances
"There is always the risk: something is good and good and good and good, and then all at once it gets awkward. All at once, she sees you looking at her, and then she doesn't want to joke around with you anymore, because she doesn't want to seem flirty, because she doesn't want you to think she likes you. It’s such a disaster, whenever, in the course of human relationships, someone begins to chisel away at the wall of separation between friendship and kissing. Breaking down that wall is the kind of story that might have a happy middle— oh, look, we broke down this wall, I’m going to look at you like a girl and you’re going to look at me like a boy and we’re going to play a fun game called Can I Put My Hand There What About There What About There. And sometimes that happy middle looks so great that you can convince yourself that it’s not the middle but will last forever."
John Green, Let It Snow: Three Holiday Romances
"I always had this idea that you should never give up a happy middle in the hopes of a happy ending, because there is no such thing as a happy ending. Do you know what I mean? There is so much to lose."
John Green, Let It Snow: Three Holiday Romances
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