Daphne du Maurier, Rebecca
"Every moment was a precious thing, having in it the essence of finality."
34 Quotes
"Every moment was a precious thing, having in it the essence of finality."
Daphne du Maurier, Rebecca
"The road to Manderley lay ahead. There was no moon. The sky above our heads was inky black. But the sky on the horizon was not dark at all. It was shot with crimson, like a splash of blood. And the ashes blew towards us with the salt wind from the sea."
Daphne du Maurier, Rebecca
"The sea, like a crinkled chart, spread to the horizon, and lapped the sharp outline of the coast, while the houses were white shells in a rounded grotto, pricked here and there by a great orange sun."
Daphne du Maurier, Rebecca
"Why did dogs make one want to cry? There was something so quiet and hopeless about their sympathy. Jasper, knowing something was wrong, as dogs always do. Trunks being packed. Cars being brought to the door. Dogs standing with drooping tails, dejected eyes. Wandering back to their baskets in the hall when the sound of the car dies away."
Daphne du Maurier, Rebecca
"I wondered why it was that places are so much lovelier when one is alone. How commonplace and stupid it would be if I had a friend now, sitting beside me, someone I had known at school, who would say: “By-the-way, I saw old Hilda the other day. You remember her, the one who was so good at tennis. She’s married, with two children.” And the bluebells beside us unnoticed, and the pigeons overhead unheard. I did not want anyone with me. Not even Maxim. If Maxim had been there I should not be lying as I was now, chewing a piece of grass, my eyes shut. I should have been watching him, watching his eyes, his expression. Wondering if he liked it, if he was bored. Wondering what he was thinking. Now I could relax, none of these things mattered. Maxim was in London. How lovely it was to be alone again."
Daphne du Maurier, Rebecca
"I would have gone too but I wanted to come straight back to you. I kept thinking of you, waiting here, all by yourself, not knowing what was going to happen."
Daphne du Maurier, Rebecca
"There was never an accident. Rebecca was not drowned at all. I killed her. I shot Rebecca in the cottage in the cove. I carried her body to the cabin, and took the boat out that night and sunk it there, where they found it today. It's Rebecca who's lying dead there on the cabin floor. Will you look into my eyes and tell me that you love me now?"
Daphne du Maurier, Rebecca
"Maxim's voice, clear and strong, "Will someone take my wife outside?She is going to faint."
Daphne du Maurier, Rebecca
"I know that age, it's a particularly obstinate one, and a thousand bogies won't make you fear the future. A pity we can't change over."
Daphne du Maurier, Rebecca
"She had to live in this bright, red gabled house with the nurse until it was time for her to die... I thought how little we know about the feelings of old people. Children we understand, their fears and hopes and make-believe."
Daphne du Maurier, Rebecca
"I am glad it cannot happen twice, the fever of first love. For it is a fever, and a burden, too, whatever the poets may say. They are not brave, the days when we are twenty-one. They are full of little cowardices, little fears without foundation, and one is so easily bruised, so swiftly wounded, one falls to the first barbed word. To-day, wrapped in the complacent armour of approaching middle age, the infinitesimal pricks of day by day brush one but lightly and are soon forgotten, but then--how a careless word would linger, becoming a fiery stigma, and how a look, a glance over a shoulder, branded themselves as things eternal. A denial heralded the thrice crowing of a cock, and an insincerity was like the kiss of Judas. The adult mind can lie with untroubled conscience and a gay composure, but in those days even a small deception scoured the tongue, lashing one against the stake itself."
Daphne du Maurier, Rebecca
"They are not brave, the days when we are twenty-one. They are full of little cowardices, little fears without foundation, and one is so easily bruised, so swiftly wounded, one falls to the first barbed word. To-day, wrapped in the complacent armour of approaching middle age, the infinitesimal pricks of day by day brush one but lightly and are soon forgotten, but then—how a careless word would linger, becoming a fiery stigma, and how a look, a glance over a shoulder, branded themselves as things eternal."
Daphne du Maurier, Rebecca
"This house sheltered us, we spoke, we loved within those walls. That was yesterday. To-day we pass on, we see it no more, and we are different, changed in some infinitesimal way. We can never be quite the same again."
Daphne du Maurier, Rebecca
"I thought of all those heroines of fiction who looked pretty when they cried, and what a contrast I must make with a blotched and swollen face, and red rims to my eyes."
Daphne du Maurier, Rebecca
"Those dripping crumpets, I can see them now. Tiny crisp wedges of toast, and piping-hot, flaky scones. Sandwiches of unknown nature, mysteriously flavoured and quite delectable, and that very special gingerbread. Angel cake, that melted in the mouth, and his rather stodgier companion, bursting with peel and raisins. There was enough food there to keep a starving family for a week."
Daphne du Maurier, Rebecca
"You have blotted out the past for me, you know, far more effectively than all the bright lights of Monte Carlo. But for you I should have left long ago, gone to Italy, and Greece, and further still perhaps. You have spared me all those wanderings."
Daphne du Maurier, Rebecca
"He looked down at me without recognition, and I realized with a little stab of anxiety that he must have forgotten all about me, perhaps for some considerable time, and that he himself was so lost in the labyrinth of his own unquiet thoughts that I did not exist."
Daphne du Maurier, Rebecca
"The peace of Manderley. The quietude and the grace. Whoever lived within its walls, whatever trouble there was and strife, however much uneasiness and pain, no matter what tears were shed, what sorrows borne, the peace of Manderley could not be broken or the loveliness destroyed. The flowers that died would bloom again another year, the same birds build their nests, the same trees blossom. That old quiet moss smell would linger in the air, and the bees would come, and crickets, the herons build their nests in the deep dark woods. The butterflies would dance their merry jug across the lawns, and spiders spin foggy webs, and small startled rabbits who had no business to come trespassing poke their faces through the crowded shrubs. There would be lilac, and honeysuckle still, and the white magnolia buds unfolding slow and tight beneath the dining-room window. No one would ever hurt Manderley. It would lie always in its hollow like an enchanted thing, guarded by the woods, safe, secure, while the sea broke and ran and came again in the little shingle bays below."
Daphne du Maurier, Rebecca
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