Toni Morrison

"Black people are victims of an enormous amount of violence. None of those things can take place without the complicity of the people who run the schools and the city."

"All of that art-for-art’s-sake stuff is BS,” she declares. “What are these people talking about? Are you really telling me that Shakespeare and Aeschylus weren’t writing about kings? All good art is political! There is none that isn’t. And the ones that try hard not to be political are political by saying, ‘We love the status quo.’ We’ve just dirtied the word ‘politics,’ made it sound like it’s unpatriotic or something.” Morrison laughs derisively. “That all started in the period of state art, when you had the communists and fascists running around doing this poster stuff, and the reaction was ‘No, no, no; there’s only aesthetics.’ My point is that is has to be both: beautiful and political at the same time. I’m not interested in art that is not in the world. And it’s not just the narrative, it’s not just the story; it’s the language and the structure and what’s going on behind it. Anybody can make up a story."

"In this country American means white. Everybody else has to hyphenate."

"I tell my students, 'When you get these jobs that you have been so brilliantly trained for, just remember that your real job is that if you are free, you need to free somebody else. If you have some power, then your job is to empower somebody else. This is not just a grab-bag candy game."

"As you enter positions of trust and power, dream a little before you think."

"We were two throats and one eye and we had no price."

"She is a friend of mind. She gather me, man. The pieces I am, she gather them and give them back to me in all the right order. It's good, you know, when you got a woman who is a friend of your mind."

"The Nobel Prize is the best thing that can happen to a writer in terms of how it affects your contracts, the publishers, and the seriousness with which your work is taken. On the other hand, it does interfere with your private life, or it can if you let it, and it has zero effect on the writing. It doesn't help you write better and if you let it, it will intimidate you about future projects."

"I'm a Midwesterner, and everyone in Ohio is excited. I'm also a New Yorker, and a New Jerseyan, and an American, plus I'm an African-American, and a woman. I know it seems like I'm spreading like algae when I put it this way, but I'd like to think of the prize being distributed to these regions and nations and races."

"I'm interested in the way in which the past affects the present and I think that if we understand a good deal more about history, we automatically understand a great more about contemporary life."

"Birth, life, and death― each took place on the hidden side of a leaf."

"How soon country people forget. When they fall in love with a city it is forever, and it is like forever. As though there never was a time when they didn't love it. The minute they arrive at the train station or get off the ferry and glimpse the wide streets and the wasteful lamps lighting them, they know they are born for it. There, in a city, they are not so much new as themselves: their stronger, riskier selves."

"What I think the political correctness debate is really about is the power to be able to define. The definers want the power to name. And the defined are now taking that power away from them."

"All water has a perfect memory and is forever trying to get back to where it was."

"All paradises, all utopias are designed by who is not there, by the people who are not allowed in., March 9, 1998]"

"There is really nothing more to say-except why. But since why is difficult to handle, one must take refuge in how."

"What difference do it make if the thing you scared of is real or not?"

"I think some aspects of writing can be taught. Obviously, you can't teach vision or talent. But you can help with comfort."

"I don't believe any real artists have ever been non-political. They may have been insensitive to this particular plight or insensitive to that, but they were political, because that's what an artist is―a politician."

"I think women dwell quite a bit on the duress under which they work, on how hard it is just to do it at all. We are traditionally rather proud of ourselves for having slipped creative work in there between the domestic chores and obligations. I'm not sure we deserve such big A-pluses for all that."