Thomas Hardy, Tess of the D'Urbervilles

"That innate love of melody, which she had inherited from her ballad-singing mother, gave the simplest music a power which could well-nigh drag her heart out of her bosom at times."

"Tess was awake before dawn — at the marginal minute of the dark when the grove is still mute, save for one prophetic bird who sings with a clear-voiced conviction that he at least knows the correct time of day, the rest preserving silence as if equally convinced that he is mistaken."

"He grew away from old associations, and saw something new in life and humanity. Secondarily, he made close acquaintance with phenomena which he had before known but darkly - the seasons in their moods, morning and evening, night and noon, winds in their different tempers, trees, waters and mists, shades and silences, and the voices of inanimate things."

"How very lovable her face was to him. Yet there was nothing ethereal about it; all was real vitality, real warmth, real incarnation. And it was in her mouth that this culminated. Eyes almost as deep and speaking he had seen before, and cheeks perhaps as fair; brows as arched, a chin and throat almost as shapely; her mouth he had seen nothing to equal on the face of the earth. To a young man with the least fire in him that little upward lift in the middle of her red top lip was distracting, infatuating, maddening. He had never before seen a woman’s lips and teeth which forced upon his mind with such persistent iteration the old Elizabethan simile of roses filled with snow. Perfect, he, as a lover, might have called them off-hand. But no — they were not perfect. And it was the touch of the imperfect upon the would-be perfect that gave the sweetness, because it was that which gave the humanity."

"[She] soon perceived that as she walked in the flock, sometimes with this one, sometimes with that, that the fresh night air was producing staggerings and serpentine courses among the men who had partaken too freely; some of the more careless women were also wandering in their gait. . . . Yet however terrestrial and lumpy their appearance just now to the mean unglamoured eye, to themselves the case was different. They followed the road with a sensation that they were soaring along in a supporting medium, possessed of original and profound thoughts, themselves and surrounding nature forming an organism of which all the parts harmoniously and joyously interpenetrated each other. They were as sublime as the moon and stars above them, and the moon and stars were as ardent as they."

"Did it never strike your mind that what every woman says, some women may feel?"

"Joan Durbeyfield always manged to find consolation somewhere: 'Well, as one of the genuine stock, she ought to make her way with 'en, if she plays her trump car aright. And if he don't marry her afore he will after. For that he's all afire wi' love for her any eye can see.' 'What's her trump card? Her d'Urberville blood, you mean' 'No, stupid; her face - as 'twas mine."

"It was then that the ecstasy and the dream began, in which emotion was the matter of the universe, and matter but an adventitious intrusion likely to hinder you from spinning where you wanted to spin."

"Let truth be told - women do as a rule live through such humiliations, and regain their spirits, and again look about them with an interested eye. While there's life there's hope is a connviction not so entirely unknown to the "betrayed" as some amiable theorists would have us believe."

"That it would always be summer and autumn, and you always courting me, and always thinking as much of me as you have done through the past summertime!"

"So do flux and reflux--the rhythm of change--alternate and persist in everything under the sky."