Chris Kraus, I Love Dick

Chris Kraus, I Love Dick

"Because I'm moved in writing to be irrepressible. Writing to you seems like some holy cause, cause there's not enough female irrepressibility written down. I've fused my silence and repression with the entire female gender's silence and repression. I think the sheer fact of women talking, being, paradoxical, inexplicable, flip, self-destructive but above all else public is the most revolutionary thing in the world."
26 Quotes
"Because I'm moved in writing to be irrepressible. Writing to you seems like some holy cause, cause there's not enough female irrepressibility written down. I've fused my silence and repression with the entire female gender's silence and repression. I think the sheer fact of women talking, being, paradoxical, inexplicable, flip, self-destructive but above all else public is the most revolutionary thing in the world."
Chris Kraus, I Love Dick
"Desire isn't lack, it's surplus energy - a claustrophobia inside your skin -."
Chris Kraus, I Love Dick
"When you're living so intensely in your head there isn't any different between what you imagine and what actually takes place. Therefore, you're both omnipotent and powerless."
Chris Kraus, I Love Dick
"Cause shame was what we always felt, me and all my girlfriends, for expecting sex to breed complicity. ("Complicity is like a girl's name," writes Dodie Bellamy)."
Chris Kraus, I Love Dick
"What's the matter" you asked, seizing an idea. "Did I burst your balloon - destroy the fantasy"I struggled for a way to answer this without my clothes... Well his was very cruel, but loving you'd become a full-time job and I wasn't ready to be unemployed."
Chris Kraus, I Love Dick
"So don't be too fast to attribute yourself with miraculous sexual powers, The Christ of Love. Emma and I created you out of nothing, or very little, and in all fairness, You owe us everything. While you flounder in your daily life we have built you up as a truly powerful icon of erotic integrity."
Chris Kraus, I Love Dick
"Oh Dick, you eroticise what you're not, secretly hoping that the other person knows what you're performing and that they're performing too."
Chris Kraus, I Love Dick
"Dear Dick, I guess it's been a case of infatuation... Mostly this infatuation-energy is about wanting to know someone... Whereas the sex-infatuations that's male *you, Shake, the priest) leap out of nowhere, based on not knowing them at all. As if sex could provide the missing clues. Can it? In the cases of the males it's like I felt some kind of hint of who that person was floating under the surface. Wanting sex to realise things I knew."
Chris Kraus, I Love Dick
"Is there a way," she wrote in closing, "to dignify sex, make it as complicated as we are, to make it not grotesque?"
Chris Kraus, I Love Dick
"There were some low moments out there on the road tonight—abandonment and what’s the point?—but then I pulled in a radio station from Albuquerque playing historical rap and breakdance circa 1982. Kurtis Blow and disco synthesizers made me feel like I could drive all night."
Chris Kraus, I Love Dick
"Richard seemed to like our morning conversations about Brecht and Althusser and Andre Gorz, but later on he turned the group against me for being too cerebral and acting like a boy. And weren't all these passionate interests and convictions just evasions of a greater truth, my cunt? I was an innocent, a de-gendered freak, 'cause unlike Liza Martin, who was such a babe she refused to take her platforms off for Kundalini Yoga, I hadn't learned the trick of throwing sex into the mix."
Chris Kraus, I Love Dick
"It's better than sex. Reading delivers on the promise that sex raises but hardly ever can fulfill -- getting larger cause you're entering another person's language, cadence, heart and mind."
Chris Kraus, I Love Dick
"If art's a seismographic project, when that project meets with failure, failure must become the subject too."
Chris Kraus, I Love Dick
"When the form's in place, everything within it can be pure feeling."
Chris Kraus, I Love Dick
"We suicide ourselves for our own survival. Is there any hope of dipping back into the past and circling round it like you can in art?"
Chris Kraus, I Love Dick
"As an artist she finds Dick's work hopelessly naive, yet she is a lover of certain kinds of bad art, art which offers a transparency into the hopes and desires of the person who made it. Bad art makes the viewer much more active. (Years later Chris would realise that her fondness for bad art is exactly like Jane Eyre's attraction to Rochester, a mean horse-faced junkie: bad characters invite invention."
Chris Kraus, I Love Dick
"It was the kind of story everybody likes, about a tough girl who becomes a truer version of herself by uncovering her vulnerability. It was the kind of story people like because its universe is played out in the story of one person. It was the kind of story (dare I say it?) that women are supposed to write because all its truths are grounded in a single lie: denying chaos."
Chris Kraus, I Love Dick
"All acts of sex were forms of degradation... What do you do with the Serious Young Woman (short hair, flat shoes, body slightly hunched, head drifting back and forth between the books she's read)? You slap her, fuck her up the ass and treat her like a boy. The Serious Young Woman looked everywhere for sex but when she got it it became an exercise in disintegration. What was the motivation of these men? Was it hatred she evoked? Was it some kind of challenge, trying to make the Serious Young Woman femme?"
Chris Kraus, I Love Dick
"Dear Dick, I'm not sure I still want to fuck you. At least, not in the same way. Sylvère keeps talking about us disturbing your "fragility", but I'm not sure that I agree. There's nothing so remarkable in one more woman adoring you. It's a "problem" you're confronting all the time. I'm just a particularly annoying one, one who refuses to behave... And yet I feel this tenderness towards you, after all we've been through."
Chris Kraus, I Love Dick
"Female monsters take things as personally as they really are. They study facts. Even if rejection makes them feel like the girl who's not invited to the party, they have to understand the reasons why... Every question, once it's formulated, is a paradigm, contains its own internal truth. We have to stop diverting ourselves with false questions. And I told Warren: I aim to be a female monster too."
Chris Kraus, I Love Dick
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