Virginia Woolf, Orlando
"All extremes of feeling are allied with madness."
47 Quotes
"All extremes of feeling are allied with madness."
"كل غلو في الشعور يتاخم الجنون."
Virginia Woolf, Orlando
"Old Madame du Deffand and her friends talked for fifty years without stopping. And of it all, what remains? Perhaps three witty sayings. So that we are at liberty to suppose either that nothing was said, or that nothing witty was said, or that the fraction of three witty sayings lasted eighteen thousand two hundred and fifty nights, which does not leave a liberal allowance of wit for any one of them."
"تحدّثت السيدة العجوز دو ديفان وصويحباتها لخمسين عامًا دون انقطاع. فماذا بقي من كل ذلك؟ ربما ثلاث نوادر بارعة. وعليه، يحق لنا أن نفترض إما أنه لم يُقل شيء، أو أنه لم يُقل شيء بارع، أو أن حصيلة ثلاث نوادر بارعة امتدت لثمانية عشر ألفًا ومئتين وخمسين ليلة، وهو ما لا يترك نصيبًا وافرًا من الذكاء لأي واحدة منهن."
Virginia Woolf, Orlando
"Life, it has been agreed by everyone whose opinion is worth consulting, is the only fit subject for novelist or biographer; life, the same authorities have decided, has nothing whatever to do with sitting still in a chair and thinking. Thought and life are as the poles asunder. Therefore — since sitting in a chair and thinking is precisely what Orlando is doing now — there is nothing for it but to recite the calendar, tell one’s beads, blow one’s nose, stir the fire, look out of the window, until she has done…Surely, since she is a woman, and a beautiful woman, and a woman in the prime of life, she will soon give over this pretence of writing and thinking and begin at least to think of a gamekeeper (and as long as she thinks of a man, nobody objects to a woman thinking). And then she will write him a little note (and as long as she writes little notes nobody objects to a woman writing either) and make an assignation for Sunday dusk…She was kind to dogs, faithful to friends, generosity itself to a dozen starving poets, had a passion for poetry. But love — as the male novelists define it — and who, after all, speak with greater authority? — has nothing whatever to do with kindness, fidelity, generosity, or poetry. Love is slipping off one’s petticoat and — But we all know what love is…If then, the subject of one’s biography will neither love nor kill, but will only think and imagine, we may conclude that he or she is no better than a corpse and so leave her."
"لقد أجمع كل من يُعتد برأيه أن الحياة هي الموضوع الأوحد الذي يليق بالروائي أو كاتب السيرة؛ وقد قررت المرجعيات ذاتها أن الحياة لا علاقة لها البتة بالجلوس ساكنًا على كرسي والتفكير. فالفكر والحياة قطبان متباعدان. ولذلك – بما أن أورلاندو تجلس الآن على كرسي وتفكر – فلا مفر من تلاوة التقويم، وسبح الخرز، وتمخيط الأنف، وتحريك النار، والنظر من النافذة، حتى تنتهي... بالتأكيد، بما أنها امرأة، وامرأة جميلة، وامرأة في ريعان شبابها، فإنها ستتخلى قريبًا عن هذا الادعاء بالكتابة والتفكير، وتبدأ على الأقل في التفكير في حارس غابة (وما دامت تفكر في رجل، فلا أحد يعترض على تفكير المرأة). ثم ستكتب له رسالة صغيرة (وما دامت تكتب رسائل صغيرة، فلا أحد يعترض على كتابة المرأة أيضًا) وتحدد موعدًا للقاء عند مغيب شمس الأحد... كانت لطيفة مع الكلاب، وفية للأصدقاء، كريمة إلى أقصى حد مع عشرات الشعراء الجائعين، ولها شغف بالشعر. لكن الحب – كما يحدده الروائيون الذكور – ومن، بعد كل شيء، يتحدث بسلطة أكبر؟ – لا علاقة له البتة باللطف أو الوفاء أو الكرم أو الشعر. الحب هو خلع التنورة الداخلية و – لكننا جميعًا نعرف ما هو الحب... إذاً، إذا كان موضوع السيرة الذاتية لا يحب ولا يقتل، بل يكتفي بالتفكير والتخيل، فقد نستنتج أنه أو أنها لا يختلف عن الجثة، ولذلك نتركها وشأنها."
Virginia Woolf, Orlando
"He sighed profoundly, and flung himself - there was a passion in his movements which deserves the word - on the earth at the foot of the oak tree. He loved, beneath all this summer transiency, to feel the earth's spine beneath him; for such he took the hard root of the oak tree to be; or, for image followed image, it was the back of a great horse that he was riding; or the deck of a tumbling ship - it was anything indeed, so long as it was hard, for he felt the need of something which he could attach his floating heart to; the heart that tugged at his side; the heart that seemed filled with spiced and amorous gales every evening about this time when he walked out. To the oak tree he tied it and as he lay there, gradually the flutter in and about him stilled itself; the little leaves hung, the deer stopped; the pale summer clouds stayed; his limbs grew heavy on the ground; and he lay so still that by degrees the deer stopped nearer and the rooks wheeled round him and the swallows dipped and circled and the dragonflies shot past, as if all the fertility and amorous activity of a summer's evening were woven web-like about his body."
"تنهد بعمق، وألقى بنفسه – بحركةٍ تنم عن شغفٍ يستحق هذا الوصف – على الأرض عند سفح شجرة البلوط. كان يحب، تحت كل هذا الزوال الصيفي، أن يشعر بعمود فقري للأرض تحته؛ فقد اعتبر الجذر الصلب لشجرة البلوط كذلك؛ أو، إذ تتابعت الصور في ذهنه، كان ظهر حصان عظيم يمتطيه؛ أو سطح سفينة متمايلة – كان أي شيء حقًا، ما دام صلبًا، فقد شعر بالحاجة إلى شيء يربط به قلبه الهائم؛ القلب الذي كان يشد جانبه؛ القلب الذي بدا وكأنه يمتلئ برياح معطرة وعاشقة كل مساء في هذا الوقت تقريبًا عندما يخرج للمشي. إلى شجرة البلوط ربطه، وبينما كان مستلقيًا هناك، هدأت تدريجيًا الرفرفة فيه وحوله؛ تدلت الأوراق الصغيرة، توقفت الغزلان؛ بقيت الغيوم الصيفية الشاحبة؛ ثقلت أطرافه على الأرض؛ واستلقى ساكنًا لدرجة أن الغزلان اقتربت منه شيئًا فشيئًا، وحلقت الغربان حوله، وغاصت السنونو ودارت، وانطلقت اليعاسيب مسرعة، كما لو أن كل خصوبة ونشاط عشقي لأمسية صيفية قد نُسجت كشبكة حول جسده."
Virginia Woolf, Orlando
"For if it is rash to walk into a lion's den unarmed, rash to navigate the Atlantic in a rowing boat, rash to stand on one foot on the top of St Paul's, it is still more rash to go home alone with a poet"
"إن كان من التهور أن تدخل عرين الأسد أعزل، وأن تجوب الأطلسي بقارب تجديف، وأن تقف على قدم واحدة فوق قبة كاتدرائية القديس بولس، فإنه لأشد تهورًا أن تعود إلى المنزل وحدك مع شاعر."
Virginia Woolf, Orlando
"Vain trifles as they seem, clothes have, they say, more important offices than to merely keep us warm. They change our view of the world and the world's view of us."
"على الرغم من مظهرها الذي قد يوحي بالسطحية، فإن للثياب، كما يقال، وظائف أسمى من مجرد توفير الدفء لأجسادنا. إنها تبدل نظرتنا إلى العالم، وتصوغ نظرة العالم إلينا."
Virginia Woolf, Orlando
"She was almost felled to the ground by the extraordinary sight which now met her eyes. There was the garden and some birds. The world was going on as usual. All the time she was writing the world had continued."
"كادت تسقط أرضًا من هول المنظر العجيب الذي لاح لعيونها. كان البستان هناك، وبعض الطيور. كان العالم يسير كالمعتاد. طوال الوقت الذي كانت تكتب فيه، ظل العالم مستمرًا."
Virginia Woolf, Orlando
"Hail, happiness, then, and after happiness, hail not those dreams which bloat the sharp image as spotted mirrors do the face in a country-inn parlour; dreams which splinter the whole and tear us asunder and wound us and split us apart in the night when we would sleep; but sleep, sleep, so deep that all shapes are ground to dust of infinite softness, water of dimness inscrutable, and there, folded, shrouded, like a mummy, like a moth, prone let us lie on the sand at the bottom of sleep."
"أهلاً بالسعادة إذن، وبعد السعادة، لا أهلاً بتلك الأحلام التي تضخم الصورة الحادة كما تفعل المرايا الملطخة بالوجه في صالون نزل ريفي؛ أحلام تفتت الكل وتمزقنا وتجرحنا وتفصلنا عن بعضنا في الليل حين نود النوم؛ بل نوم، نوم عميق جداً حتى تُطحن كل الأشكال إلى غبار من نعومة لا متناهية، وماء من عتمة غامضة لا تُدرك، وهناك، مطويين، مكفنين، كالمومياء، كالعثة، لنرقد على الرمال في قاع النوم."
Virginia Woolf, Orlando
"Orlando naturally loved solitary places, vast views, and to feel himself for ever and ever and ever alone."
Virginia Woolf, Orlando
"In fact, though their acquaintance had been so short, they had guessed, as always happens between lovers, everything of any importance about each other in two seconds at the utmost, and it now remained only to fill in such unimportant details as what they were called; where they lived; and whether they were beggars or people of substance."
Virginia Woolf, Orlando
"The mind of man, moreover, works with equal strangeness upon the body of time. An hour, once it lodges in the queer element of the human spirit, may be stretched to fifty or a hundred times its clock length; on the other hand, an hour may be accurately represented on the timepiece of the mind by one second."
Virginia Woolf, Orlando
". . . clumsiness is often mated with a love of solitude."
Virginia Woolf, Orlando
"Thoughts are divine."
Virginia Woolf, Orlando
"There were mountains; there were valleys; there were streams. She climbed the mountains; roamed the valleys; sat on the banks of streams...when, from the mountain-top, she beheld, far off, across the Sea of Marmara the plains of Greece, and made out (her eyes were admirable) the Acropolis with a white streak or two which must, she thought, be the Parthenon, her soul expanded with her eyeballs, and she prayed she might share the majesty of the hills, know the serenity of the plains, etc. etc., as all such believers do."
Virginia Woolf, Orlando
"Nothing thicker than a knife's blade separates happiness from melancholy."
Virginia Woolf, Orlando
"She had thought of literature all these years (her seclusion, her rank, her sex must be her excuse) as something wild as the wind, hot as fire, swift as lightning; something errant, incalculable, abrupt, and behold, literature was an elderly gentleman in a grey suit talking about duchesses…Orlando then came to the conclusion (opening half-a-dozen books)…that it would be impolitic in the extreme to wrap a ten-pound note round the sugar tongs when Miss Christina Rossetti came to tea…next (here were half-a-dozen invitations to celebrate centenaries by dining) that literature since it all these dinners must be growing very corpulent; next (she was invited to a score of lectures on the Influence of this upon that; the Classical revival; the Romantic survival, and other titles of the same engaging kind) that literature since it listened to all these lectures must be growing very dry; next (here she attended a reception given by a peeress) that literature since it wore all those fur tippets must be growing very respectable; next (here she visited Carlyle’s sound-proof room at Chelsea) that genius since it needed all this coddling must be growing very delicate…"
Virginia Woolf, Orlando
"the whole of Victorian literature done up in grey paper & neatly tied with string"
Virginia Woolf, Orlando
"Green in nature is one thing, green in literature another."
Virginia Woolf, Orlando
"For if there are (at a venture) seventy-six different times all ticking in the mind at once, how many different people are there not – Heaven help us – all having lodgment at one time or another in the human spirit?"
Virginia Woolf, Orlando
"Here she tossed her foot impatiently, and showed an inch or two of calf. A sailor on the mast, who happened to look down at the moment, started so violently that he missed his footing and only saved himself by the skin of his teeth. 'If the sight of my ankles means death to an honest fellow who, no doubt, has a wife and family to support, I must, in all humanity, keep them covered,' Orlando thought. Yet her legs were among her chieftest beauties. And she fell to thinking what an odd pass we have come to when all a woman's beauty has to be kept covered lest a sailor fall from a mast-head. 'A pox on them!' she said, realizing for the first time what, in other circumstances, she would have been taught as a child, that is to say, the sacred responsibilities of womanhood..."
Virginia Woolf, Orlando
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