Neil Gaiman, The Graveyard Book

"You aren't allowed out of the graveyard -it's aren't, by the way, not amn't, not these days-because it's only in the graveyard that we can keep you safe. This is where you live and this is where those who love you can be found. Outside would not be safe for you. Not yet."

"Liza Hempstock, who had been Bod's friend for the last six years, was different in another way; she was less likely to be there for him when Bod went down to the nettle patch to see her, and on the rare occasions when she was, she would be short-tempered, argumentative and often downright rude. Bod talked to Mr Owens about this, and after a few moments' reflection, his father said, "It's just women, I reckon. She liked you as a boy, probably isn't sure who you are now you're a young man. I used to play with one little girl down by the duck pond every day until she turned about your age, and then she threw an apple at my head and did not say another word to me until I was seventeen."Mrs Owens stiffened. "It was a pear I threw," she said, tartly, "and I was talking to you again soon enough, for we danced a measure at your cousin Ned's wedding, and that was but two days after your sixteenth birthday."Mr Owens said, "Of course you are right, my dear." He winked at Bod, to tell him that it was none of it serious. And then mouthed "Seventeen" to show that, really, it was."

"The boy was a model pupil, forgettable and easily forgotten, and he sent much of his spare time in the back of the English class where there were shelves of old paperbacks, and in the school library, a large room filled with books and old armchairs, where he read stories as enthusiastically as some children ate."

"You're always you, and that don't change, and you're always changing, and there's nothing you can do about it."

"And why does he talk so funny? Doesn't he mean squashed tomatoes?I don't think that they had tomatoes when he comes from, said Bod. And that's just how they talk then."

"Nearly' only counts in horseshoes and hand-grenades."

"We who make stories know that we tell lies for a living. But they are good lies that say true things, and we owe it to our readers to build them as best we can. Because somewhere out there is someone who needs that story. Someone who will grow up with a different landscape, who without that story will be a different person. And who with that story may have hope, or wisdom, or kindness, or comfort. And that is why we write."

"Bod shrugged. "So" he said. "It's only death. I mean, all of my best friends are dead."

"One grave in every graveyard belongs to the ghouls. Wander any graveyard long enough and you will find it - water stained and bulging, with cracked or broken stone, scraggly grass or rank weeds about it, and a feeling, when you reach it, of abandonment. It may be colder than the other gravestones, too, and the name on the stone is all too often impossible to read. If there is a statue on the grave it will be headless or so scabbed with fungus and lichens as to look like fungus itself. If one grave in a graveyard looks like a target for petty vandals, that is the ghoul-gate. If the grave wants to make you be somewhere else, that is the ghoul-gate."

"If you want to call it that. But it is a very specific sort of magic. There's a magic you take from death. Something leaves the world, something else comes into it."

"Each of the dancers took a partner, the living with the dead, each to each. Bod reached out his hand and found himself touching fingers with, and gazing into the grey eyes of, the lady in the cobweb dress. She smiled at him.“Hello, Bod,” she said.“Hello,” he said, as he danced with her. “I don’t know your name.”“Names aren’t really important,” she said.“I love your horse. He’s so big! I never knew horses could be that big.”“He is gentle enough to bear the mightiest of you away on his broad back, and strong enough for the smallest of you as well.”“Can I ride him?” asked Bod.“One day,” she told him, and her cobweb skirts shimmered. “One day. Everybody does.”“Promise?”I promise."

"Name the different kinds of people,’ said Miss Lupescu. ‘Now.’Bod thought for a moment. ‘The living,’ he said. ‘Er. The dead.’ He stopped. Then, ‘... Cats?’ he offered, uncertainly."

"You're alive, Bod. That means you have infinite potential. You can do anything, make anything, dream anything. If you can change the world, the world will change. Potential. Once you're dead, it's gone. Over. You've made what you've made, dreamed your dream, written your name. You may be buried here, you may even walk. But that potential is finished."

"If you dare nothing, then when the day is over, nothing is all you will have gained."

"Face your life, its pain, its pleasure, leave no path untaken."

"Kiss a lover, Dance a measure, Find your name And buried treasure. Face your life, It's pain, It's pleasure, Leave no path untaken."

"Sleep my little baby-oh Sleep until you waken When you wake you'll see the world If I'm not mistaken... Kiss a lover Dance a measure,Find your name And buried treasure... Face your life Its pain, Its pleasure,Leave no path untaken."