Haruki Murakami, 1Q84

"...most people in the world don't really use their brains to think. And people who don't think are the ones who don't listen to others."

"Whenever she felt like crying, she would instead become angry—at someone else or at herself—which meant that it was rare for her to shed tears."

"Its Barnum & Bailey world just as phony as it can be,But it would't be make-believe if you believed in me"

"There's a need, too, for a special name in order to distinguish between this present world and the former world in which the police carried old-fashioned revolvers. ... 1Q84 - that's what I'll call this new world. Q is for 'question mark'. A world that bears a question."

"If you can't understand it without an explanation, you can't understand it with an explanation."

"In this world, there is no absolute good, no absolute evil," the man said. "Good and evil are not fixed, stable entities but are continually trading places. A good may be transformed into an evil in the next second. And vice versa. Such was teh way of the world that Dostoevksy depicted in The Brothers Karamazov. The most important thing is to maintain the balance between the constantly moving good and evil. If you lean too much in either direction, it becomes difficult to maintain actual morals. Indeed, balance itself is the good."

"In this world, there is no absolute good, no absolute evil," the man said. "Good and evil are not fixed, stable entities but are continually trading places. A good may be transformed into an evil in the next second. And vice versa. Such was the way of the world that Dostoevksy depicted in The Brothers Karamazov. The most important thing is to maintain the balance between the constantly moving good and evil. If you lean too much in either direction, it becomes difficult to maintain actual morals. Indeed, balance itself is the good."

"Good style happens in one of two ways: the writer either has an inborn talent or is willing to work herself to death to get it."

"As I mentioned briefly on the phone, the best thing about the Air Chrysalis is that it's not an imitation of anyone. It has absolutely none of the usual new writer's sense of 'I want to be another so-and-so'. the syle, for sure, is rough,and the writing is clumsy. She even gets the title wrong: she's confusing 'chrysalis' and 'cocoon'. You could pick it apart completely if you wanted to. But the story itself has real power: it draws you in. the overall plots is a fantasy, but the descriptive details is incredibly real. The balance between the two is excellent. I don't know if words like 'originality' or Inevitability' fit here, and I suppose I might agree if someone insisted it's not at that level, but finally, after you work your way through the thing, with all its faults, it leaves a real impression- it gets to you in some strange, inexplicable way that may be a little disturbing."

"All's well that ends well.''Assuming there's an end somewhere,' Aomame said. Tamaru formed some short creases near his mouth that were faintly reminiscent of a smile. 'There has to be an end somewhere. It's just that nothing's labeled "This is the end." Is the top rung of a ladder labeled "This is the last rung. Please don't step higher than this'"Aomame shook her head.'It's the same thing,' Tamaru said. Aomame said, 'If you use common sense and keep your eyes open, it becomes clear enough where the end is.'Tamaru nodded. 'And even if it doesn't' -- he made a falling gesture with his finger -- 'the end is right there."

"It's not so easy for people to end their own lives. It's not like in the movies. There, they do it like nothing, no pain, and it's all over, they're dead. The reality is not like that. You lie in bed for ten years with the piss oozing out of you."

"The two of them on top of the freezing slide, wordlessly holding hands. Once again they were a ten-year-old boy and girl. A lonely boy, and a lonely girl. A classroom, just after school let out, at the beginning of winter. They had neither the power nor the knowledge to know what they should offer to each other, what they should be seeking. They had never, ever, been truly loved, or truly loved someone else. They had never held anyone, never been held. They had not idea, either, where this action would take them. What they entered then was a doorless room. They couldn't get out, nor could anyone else come in. The two of them didn't know it at the time, but this was the only truly complete place in the entire world. Totally isolated, yet the one place not tainted with loneliness."

"I'm all alone, but I'm not lonely."

"Loneliness becomes an acid that eats away at you."

"But still," Ayumi said, "it seems to me that this world has a serious shortage of both logic and kindness."You may be right," Aomame said, "But it's too late to trade it in for another one."

"The role of a story was, in the broadest terms, to transpose a single problem into another form. ... It was like a piece of paper bearing the indecipherable text of a magic spell."

"The ones who did it can always rationalize their actions and even forget what they did. They can turn away from things they don't want to see. But the surviving victims can never forget. They can’t turn away. Their memories are passed on from parent to child. That’s what the world is, after all: an endless battle of contrasting memories."

"The third dream was hard to put into words. It was a rambling, incoherent dream without any setting. All that was there was a feeling of being in motion. Aomame was ceaselessly moving through time and space It didn't matter when or where this was All that mattered was this movement. Everything was fluid, and a specific meaning was born of that fluidity. But as she gave herself up to it, she found her body growing transparent. She could see through her hands to the other side. Her bones, organs, and womb became visible. At this rate she might very well no longer exist. After she could no longer see herself, Aomame wondered what could possibly come then. She had no answer."

"For a ten-year-old boy and a ten-year-old girl to become good friends was not easy under any circumstances. Indeed, it might be one of the most difficult accomplishments in the world."

"Guns are like cars: you can trust a good used one better than one that's brand new."