Eduardo Galeano

Eduardo Galeano

"I remember that - you know, I didn't receive a formal education. I was educated in the Montevideo cafe, in the cafes of Montevideo. There, I received my first lessons in the art of telling stories, storytelling."
15 Quotes
"I remember that - you know, I didn't receive a formal education. I was educated in the Montevideo cafe, in the cafes of Montevideo. There, I received my first lessons in the art of telling stories, storytelling."
Eduardo Galeano
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"The history of soccer is a sad voyage from beauty to duty. When the sport became an industry, the beauty that blossoms from the joy of play got torn out by its very roots."
Eduardo Galeano
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"I'm attracted to soccer's capacity for beauty. When well played, the game is a dance with a ball."
Eduardo Galeano
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"The purpose of torture is not getting information. It's spreading fear."
Eduardo Galeano
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"History never really says goodbye. History says, 'See you later."
Eduardo Galeano
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"I wanted to be a soccer player, and I became the best of the best, the number one, better than Maradona, better than Pele, and even better than Messi - but only at night, nighttime, during my dreams. When I wake up, I realized that I have wooden legs and that I'm doomed to be a writer."
Eduardo Galeano
"I'm not asking you to describe the rain falling the night the archangel arrived; I'm demanding that you get me wet. Make up your mind, Mr. Writer, and for once in your life be the flowers that smells rather than the chronicler of the aroma. There's not much pleasure in writing what you live. The challenge is to live what you write."
Eduardo Galeano
"Today we must begin again. Step by small step, without any more protection than comes from our own bodies."
Eduardo Galeano
"Pedro Algorta, a lawyer, showed me the fat dossier about the murder of two women. The double crime had been committed with a knife at the end of 1982, in a Montevideo suburb. The accused, Alma Di Agosto, had confessed. She had been in jail more than a year, and was apparently condemned to rot there for the rest of her life. As is the custom, the police had raped and tortured her. After a month of continuous beatings they had extracted several confessions. Alma Di Agosto's confessions did not much resemble each other, as if she had committed the same murder in many different ways. Different people appeared in each confession, picturesque phantoms without names or addresses, because the electric cattle prod turns anyone into a prolific storyteller. Furthermore, the author demonstrated the agility of an Olympic athlete, the strength of a fairground Amazon, and the dexterity of a professional matador. But the most surprising was the wealth of detail: in each confession, the accused described with millimetric precision clothing, gestures, surroundings, positions, objects... Alma Di Agosto was blind. Her neighbours, who knew and loved her, were convinced she was guilty: 'Why' asked the lawyer. 'Because the papers say so.' 'But the papers lie,' said the lawyer. 'But the radio said so too,' explained the neighbours. 'And the TV!"
Eduardo Galeano
"Our effectiveness depends on our capacity to be audacious and astute, clear and appealing. I would hope that we can create a language more fearless and beautiful than that used by conformist writers to greet the twilight."
Eduardo Galeano
"I am not particularly interested insaving time I prefer to enjoy it."
Eduardo Galeano
"The ball laughs, radiant, in the air. He brings her down, puts her to sleep, showers her with compliments, dances with her, and seeing such things never before seen his admirers pity their unborn grandchildren who will never see them."
Eduardo Galeano
"And one fine day the goddess of the wind kisses the foot of man, that mistreated, scorned foot, and from that kiss the soccer idol is born. He is born in a straw crib in a tin-roofed shack and he enters the world clinging to a ball."
Eduardo Galeano
"I have never killed anybody, it is true, but it is because I lacked the courage or the time, not because I lacked the desire"
Eduardo Galeano
"The walls are the publishers of the poor."
Eduardo Galeano
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