Martin Amis

"He awoke at six, as usual. He needed no alarm clock. He was already comprehensively alarmed."

"It’s possible to be flippant here, when Jihadists fly aircraft into buildings they shout God is Great, what do atheists shout when they do it?"

"The middle class is doing fine in fiction. But it's not what gets me going. I love the working class, and everyone from it I've met, and think they're incredibly witty, inventive - there's a lot of poetry there."

"Only in art will the lion lie down with the lamb, and the rose grow without the thorn."

"Language leads a double life - and so does the novelist. You chat with family and friends, you attend to your correspondence, you consult menus and shopping lists, you observe road signs, and so on. Then you enter your study, where language exists in quite another form - as the stuff of patterned artifice."

"I think novelists are in the education business, really, but they're not teaching you times tables, they are teaching you responsiveness and morality and to make nuanced judgments. And really to just make the planet look a bit richer when you go out into the street."

"You know, I wouldn’t have done this a month ago. I wouldn’t have done it then. Then I was avoiding. Now I’m just waiting. Things happen to me. They do. They have to go ahead and happen. You watch – you wait… Things still happen here and something is waiting to happen to me. I can tell. Recently my life feels like a bloodcurdling joke. Recently my life has taken on *form* Something is waiting. I am waiting. Soon, it will stop waiting – any day now. Awful things can happen any time. This is the awful thing."

"The first thing that distinguishes a writer is that he is most alive when alone."

"A writer’s life is half ambition and half anxiety, and there has to be both. It is no good writing a novel and feeling fine, and it is no good writing a whole novel feeling miserable. It has to be both, that mixture of anxiety and ambition, and you get that with every novel, but more so when you write about these epics of human suffering. I felt that just as much when I wrote about the Gulag. Every writer knows what that is. The process goes… you have to think: ‘This novel I am writing is no good.’ Then you have to think: ‘All my novels are no good.’ And then, when you reach that point, you can begin."

"Whereas I would argue that style is morality: morality detailed, configured, intensified. It’s not in the mere narrative arrangement of good and bad that morality makes itself felt. It can be there in every sentence"

"Now I have to lie on the bed for a few minutes and let the solitude gather round me once more."

"Once upon a time there was a king, and the king commissioned his favorite wizard to create a magic mirror. This mirror didn’t show you your reflection. It showed you your soul—it showed you who you really were. The wizard couldn’t look at it without turning away. The king couldn’t look at it. The courtiers couldn’t look at it. A chestful of treasure was offered to anyone who could look at it for sixty seconds without turning away. And no one could."

"Poverty said the same thing, century after century, but in different kinds of sentences."

"How astonishingly intimate the business of fiction is, more intimate than anything that issues from the psychiatrist’s couch or even the lovers’ bed. You see the soul, pinned and wriggling on the wall."

"I think: you deserve to be what you are if you could bare to get that way. You must have seen it coming. And now there's nothing for you here. No one will protect you, and people won't see any reason not to do you harm."

"Only in art will the lion lie down with the lamb, and the rose grow without thorn."

"The deal with multiculturalism is that the only culture you're allowed to disapprove of is your own."

"The universe is a million billion light-years wide, and every inch of it would kill you if you went there. This is the position of the universe with regards to human life."