Pat Conroy, The Lords of Discipline

"The narrator analyzes that the maturing, passing away boy within him, "had issued me a challenge as he passed the baton to the man in me: He had challenged me to have the courage to become a gentle, harmless man."

"... I lived for those long casual walks down the beach and the sight of her small footprints in the glistening wet sand..."

"Honor is the presence of God in man."

"Evil would always come to me disguised in systems and dignified by law."

"The Bear had once confided to me that Durrell's ego could fit snugly in the basilica of St. Peter's in Rome but in very few other public places. This runaway megalomania marked him as a blood member of the fraternity of generals. If looks alone could make generals, Durrell would have been a cinch. He was built lean and slim and dark, like a Doberman. A man of breeding and refrigerated intelligence, he ordered his life like a table of logarithms."

"There was always a grandeur and a nobility in my megalomania. And also something cheap and loathsome that I could not help."

"I had come to a place where I was meant to be. I don't mean anything so prosaic as a sense of coming home. This was different, very different. It was like arriving at a place much safer than home."

"I would always be a better hater of things and institutions than a lover of them."

"The mind is an intricate mechanism that can be run on the fuels of both victory and defeatism."

"I thought that I must always search for the remarkable combinations, add unknowns, mix things that were clearly marked with things beyond marking. I would leave the simulated test and enter into forbidden territory. I would look for that moment when I would begin to pour alone and in wonder. I would always try to seize that moment and to accept its challenge. I wanted to become the seeker, the aroused and passionate explorer, and it was better to go at it knowing nothing at all, always choosing the unmarked bottle, always choosing your own unproven method, armed with nothing faith and a belief in astonishment. And if by accident, I could make a volcano in a single test tube, then what could I do with all the strange magnificent elements of the world with its infinity of unknowns, with the swarm of man, with civilization, with language?"

"My memory often seems like a city of exiled poets afire with the astonishment of language, each believing in the integrity of his own witness, each with a separate version of culture and history, and the divine essential fire that is poetry itself."

"He was ruled by the tyranny of instinct, by passion and the instant legislation of a simple heart."

"The only way I could endure being a coward was if I was the only one who knew it."

"It was in her garden that whatever physical grace Abigail St. Croix possessed asserted itself. She moved among her flowers with consummate natural fluidity, enjoying the incommunicable pleasures of growing things with the patience and concentration of a watchmaker. In this, her small, green country, surrounded by an embrasure of old Charleston brick, there were camellias of distinction, eight discrete varieties of azaleas, and a host of other flowers, but she directed her prime attention to the growing of roses. She had taught me to love flowers since I had known her; I had learned that each variety had its own special personality, its own distinctive and individual way of presenting itself to the world. She told me of the shyness of columbine, the aggression of ivy, and the diseases that affected gardenias. Some flowers were arrogant invaders and would overrun the entire garden if allowed too much freedom. Some were so diffident and fearful that in their fragile reticence often lived the truest, most infinitely prized beauty. She spoke to her flowers unconsciously as we made our way to the roses in the rear of the garden. “You can learn a lot from raising roses, Will. I’ve always told you that.” “I’ve never raised a good weed, Abigail. I could kill kudzu.”“Then one part of your life is empty,” she declared. “There’s a part of the spirit that’s not being fed."

"I loved these salt rivers more than I loved the sea; I loved the movement of tides more than I loved the fury of surf. Something in me was congruent with this land, something affirmed when I witnessed the startled, piping rush of shrimp or the flash of starlight on the scales of mullet. I could feel myself relax and change whenever I returned to the lowcountry and saw the vast green expanses of marsh, feminine as lace, delicate as calligraphy. The lowcountry had its own special ache and sting."

"This [sand-dollar hunting] had become one of our rituals together, and though she would search for other varieties of shells when I was out of town or unable to see her, she would wait until I appeared on her front porch before setting off to extract these mute delicate coins from their settings in the sand. At first, we had collected only the larger specimens, but gradually as we learned what was rare and to be truly prized, we began to gather only the smallest sand dollars for our collection. Our trophies were sometimes as small as thumbnails and as fragile as contact lenses. Annie Kate collected the tiniest relics, round and cruciform and white as bone china when dried of sea water, and placed them in a glass-and-copper cricket box in her bedroom. Often we would sit together and admire the modest splendor of our accumulation. At times it looked like the coinage of a shy, diminutive species of angel. Our quest to find the smallest sand dollar became a competition between us, and as the months passed and Annie Kate grew larger with the child, the brittle, desiccated animals we unearthed from the sand became smaller and smaller. It was all a matter of training the eye to expect less."

"I cannot express how lordly and transfigured I felt at that moment. I was a prince of that harbor, a porpoise king - slim among the buoys and the water traffic."

"I felt the sharp sting of emptiness and solitude that you feel so acutely and with such internal sorrow and wonder whenever music is performed well."

"There were far worse strategies in life than to try to make each aspect of one's existence a minor work of art."

"I meditated on the nature of friendship as I practiced the craft. My friends had always come from outside the mainstream. I had always been popular with the fifth column of my peers, those individuals who were princely in their solitude, lords of their own unpraised melancholy. Distrusting the approval of the chosen, I would take the applause of exiles anytime. My friends were all foreigners, and they wore their unbelongingness in their eyes. I hunted for that look; I saw it often, disarrayed and fragmentary and furious, and I approached every boy who invited me in."