Germaine Greer, The Female Eunuch

"Female castration results in concentration of her feelings upon her male companion, and her impotence in confrontations with her own kind. Because all her love is guided by the search for security, if not for her offspring then for her crippled and fearful self, she cannot expect to find it in her own kind, whom she knows to be weak and unsuitable."

"We can only afford two children' really means, 'We only like clean, well-disciplined middle-class children who go to good schools and grow up to be professionals', for children manage to use up all the capital that is made available for the purpose, whatever proportion it may be of the family's whole income, just as housework expands to fill the time available."

"On ladies' nights they watch frozen-faced while their men embrace and fool about commenting to each other that they are all overgrown boys. Of the love of fellows they know nothing. They cannot love each other in this easy, innocent, spontaneous way because they cannot love themselves."

"Woman cannot be content with health and agility: she must make exorbitant efforts to appea something that never could exist without a diligent perversion of nature. Is it too much to ask that women be spared the daily struggle for superhuman beauty in order to offer it to the caresses of a subhumanly ugly mate? Women are reputed never to be disgusted. The sad fact is that they often are, but not with men; following the lead of men, they are most often disgusted with themselves."

"We can only afford two children' is a squalid argument, but more acceptable in our society than 'we don't like children'."

"If female liberation is to happen, if the reservoir of real female love is to be tapped, this sterile self-deception must be counteracted. The only literary form which could outsell romantic trash on the female market is hard-core pornography."

"The Poison Maiden has conceived by him, and is plumb ready to enter the divine category of mother, only one last fiend clubs her to death. The final clinch of male romanticism is that each man kills the thing he loves; whether she be Catharine in A Farewell to Arms, or the Grecian Urn, the 'tension that she be perfect' means that she must die, leavinf the hero's status as a great lover unchallenged. The pattern is still commonplace: the hero cannot marry. The sexual exploit must be conquest, not cohabitation and mutual tolerance."

"We can say the brotherhood of man, and pretend that we include the sisterhood of women, but we know that we don't. Folklore has it that women only congregate to bitch an absent member of their group, and continue to do so because they are to well aware of the consequences if they stay away. It's meant to be a joke, but like jokes about mothers-in-law it is founded in bitter truth."

"Until woman as she is can drive this plastic spectre out of her own and her man's imagination she will continue to apologize and disguise herself, while accepting her male's pot-belly, wattles, bad breath, farting, stubble, baldness and other ugliness without complaint."

"It is commonplace observation that women are forever trying to straighten their hair if it is curly and curl it if it is straight, bind their breasts if they are large and pad them if they are small, darken their hair if it is light and lighten it if it is dark. Not all these measures are dictated by the fantom of fashion. They all reflect dissatisfaction with the body as it is, and an insistent desire that it be otherwise, not natural but controlled, fabricated. Many of the devices adopted by women are not cosmetic or ornamental, but disguise of the actual, arising from fear and distaste."

"Every human body has its optimum weight and contour, which only health and efficiency can establish. Whenever we treat women's bodies as aesthetic objects without function we deform them."

"Those miserable women who blame the men who let them down for their misery and isolation enact every day the initial mistake of sacrificing their personal responsibility for themselves."

"The housewife is an unpaid worker in her husband's house in return for the security of being a permanent employee: hers is the reductio ad absurdum of the employee who accepts a lower wage in return for permanence of his employment. But the lowest paid employees can be and are laid off, and so are wives. They have no savings, no skills which they can bargain with elsewhere, and they must bear the stigma of having been sacked."

"The surest guide to the correctness of the path that women take is joy in the struggle. Revolution is the festival of the oppressed. For a long time there may be no perceptible reward for women other than their new sense of purpose and integrity. Joy does not mean riotous glee, but it does mean the purposive employment of energy in a self-chosen enterprise. It does mean pride and confidence. It does mean communication and cooperation with others based on delight in their company and your own. To be emancipated from helplessness and need and walk freely upon the earth that is your birthright. To refuse hobbles and deformity and take possession of your body and glory in its power, accepting its own laws of loveliness. To have something to desire, something to make, something to achieve, and at last something genuine to give. To be freed from guilt and shame and the tireless self-discipline of women. To stop pretending and dissembling, cajoling and manipulating, and begin to control and sympathize. To claim the masculine virtues of magnanimity and generosity and courage. It goes much further than equal pay for equal work, for it ought to revolutionise the conditions of work completely. It does not understand the phrase 'equality of opportunity', for it seems that the opportunities will have to be utterly changed and women's souls changed so that they desire opportunity instead of shrinking from it."

"Men are the enemy in much the same way that some crazed boy in uniform was the enemy of another like him in most respects except the uniform. One possible tactic is to try to get the uniforms off."

"If she is efficient and capable or ambitious, it is assumed that she has failed to find satisfaction as a normal woman, even to the extent of implying a glandular abnormality or sexual perversion."

"A housewife's work has no results: it simply has to be done again. Bringing up children is not a real occupation, because children come up just the same, brought up or not."

"As far as cosmetics are used for adornment in a conscious and creative way, they are not emblems of inauthenticity: it is when they are presented as the real thing, covering unsightly blemishes, disguising a repulsive thing so that it is acceptable to the world that their function is deeply suspect. The women who dare not go out without their false eyelashes are in serious psychic trouble."

"Abandonment of slavery is also the banishment of the chimera of security. The world will not change overnight, and liberation will not happen unless individual women agree to be outcasts, eccentrics, perverts, and whatever the powers-that-be choose to call them."

"Every human body has its optimum weight and contour, which only health and efficiency can establish. Whenever we treat women’s bodies as aesthetic objects without function we deform them and their owners. Whether the curves imposed are the ebullient arabesques of the tit-queen or the attenuated coils of art nouveau, they are deformations of the dynamic, individual body, and limitations of the possibilities of being female."