Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

"What you call your lies are fiction and myths. The art of creating a disguise can be as beautiful as the creation of a painting… I created a woman for my artist life, bold, gay, courageous, generous, fearless; and another to please my father, a clear-sighted woman with a love of beauty, harmony, and self-discipline, critical and selective; and still another who lives in chaos, embraces the weak and the stumbling and the confused."
29 Quotes
"What you call your lies are fiction and myths. The art of creating a disguise can be as beautiful as the creation of a painting… I created a woman for my artist life, bold, gay, courageous, generous, fearless; and another to please my father, a clear-sighted woman with a love of beauty, harmony, and self-discipline, critical and selective; and still another who lives in chaos, embraces the weak and the stumbling and the confused."
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934
"We are punctual, a stressed, marked characteristic. We need order around us, in the house, in the life, although we live by irresistible impulses, as if the order in the closets, in our papers, in our books, in our photographs, in our souvenirs, in our clothes could preserve us from chaos in our feelings, loves, in our work. Indifference to food, sobriety; but this, we admit, is the part of the war against a threatening fragility."
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934
"I must know, he thinks. It must be clear to me. There is a world which is closed to him, a world of shadings, gradations, nuances, and subtleties. He is a genius and yet he is too explicit. June slips between his fingers. You cannot posses without loving."
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934
"There is not one big cosmic meaning for all; there is only the meaning we each give to our life, an individual meaning, an individual plot, like an individual novel, a book for each person."
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934
"The origin of illness may be in the past, but the virulent crisis must be dynamically tackled. I believe in attacking the core of the illness, through its present symptoms, quickly, directly. The past is a labyrinth. One does not have to step into it and move step by step through every turn and twist. The past reveals itself instantly, in today’s fever or abscess of the soul."
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934
"We are dancing on our irony as upon the top of glowing sparks."
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934
"You sought to preserve your creative instincts and what would nourish them. But neurosis itself does not nourish the artist, you know; he creates in spite of it, out of anything, any material given to him. The torments and hells of [crazy men], are not for you."
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934
"Wherever there is light, look for the shadow. The shadow is me."
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934
"I never lose sight of the whole. An impeccable dress is made to be lived in, to be torn, wet, stained, crumpled."
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934
"Dr Allendy said that it was necessary to become equal to life, that the romantic was defeated by life, really died of it, whether by tuberculosis in the old days, or by neurosis today. I had never thought before of the connection between neurosis and romanticism. Wanting the impossible? Dying when unable to reach it? Not wanting to compromise?"
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934
"The mold we give to our lives is so that there will be no cataclysms. The order we seek we are willing to surrender to the flow of life at any time, but it is there as a brake on a car, and our health is a brake. We put brakes on, against our temperament. he said, “Even a room, arranged in a certain manner, prevents certain things from taking place in it."
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934
"June, you have killed my sincerity too. I will never again know who I am, what I am, what I love, what I want. Your beauty has drowned me, the core of me. You carry away with you a part of me reflected in you. When your beauty struck me, it dissolved me. Deep down, I am not different from you. I dreamed you, I wished for your existence. You are the woman I want to be. I see in you that part of me which is you. I feel compassion for your childish pride, for your trembling unsureness, your dramatization of events, your enhancing of the loves given to you. I surrender my sincerity because if I love you it means we share the same fantasies, the same madness."
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934
"Men can be in love with literary figures, with poetic and mythological figures, but let them meet with Artemis, with Venus, with any of the goddesses of love, and then they start hurling moral judgments."
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934
"Confront all the angry thoughts, feelings, the jealousies and condemnations, to find their cause, seek the root of such feelings and then operate on that. Need of security and reassurance can cause criminal acts."
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934
"How can I accept a limited definable self when I feel, in me, all possibilities?... I never feel the four walls around the substance of the self, the core. I feel only space. Illimitable space."
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934
"Introspection does not need to be a still life. It can be an active alchemy."
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934
"No one was ever born without that light or flame of life. Some event, some person stifles or drowns it altogether. I was always tempted to resuscitate such men by my own joyousness or luminosity. When I break glasses in a night club, as the Russians do, when my unconscious breaks out in wild rebellions, it is against life which has crippled these idealistic, romantic men. I respect these men, cold, pure, faithful, devoted, moral, delicate, sensitive, and unequal to life, more than I respect the tough-minded ones who return three blows to one received, who kill those who hurt them."
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934
"I am a woman first of all. At the core of my work was a journal written for the father I lost, loved and wanted to keep. I am personal. I am essentially human, not intellectual. I do not understand abstract act. Only art born of love, passion, pain."
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934
"What we call our destiny is truly our character and that character can be altered. The knowledge that we are responsible for our actions and attitudes does not need to be discouraging, because it also means that we are free to change this destiny. One is not in bondage to the past, which has shaped our feelings, to race, inheritance, background. All this can be altered if we have the courage to examine how it formed us. We can alter the chemistry provided we have the courage to dissect the elements."
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934
"Each friend represents a world in us, a world possibly not born until they arrive, and it is only by this meeting that a new world is born."
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934
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