Anthony Doerr, All the Light We Cannot See

"Whenever he can, Werner records what the partisans say on magnetic tape. Everybody, he is learning, likes to hear themselves talk. Hubris, like the oldest stories. They raise the antenna too high, broadcast for too many minutes, assume the world offers safety and rationality when of course it does not."

"There has always been a sliver of panic in him, deeply buried, when it comes to his daughter: a fear that he is no good as a father, that he is doing everything wrong. That he never quite understood the rules. …There is pride, too, though–pride that he has done it alone. That his daughter is so curious, so resilient. There is the humility of being a father to someone so powerful, as if he were only a narrow conduit for another, greater thing. That’s how it feels right now, he thinks, kneeling beside her, rinsing her hair: as though his love for his daughter will outstrip the limits of his body. The walls could fall away, even the whole city, and the brightness of that feeling would not wane."

"It is my favorite thing, I think, that I have ever seen. Sometimes I catch myself staring at it and forget my duties. It seems big enough to contain everything anyone could ever feel."

"There are, he assures her, no such things as curses. There is luck, maybe, bad or good. A slight indication of each day toward success or failure. But no curses."

"There are, he assures her, no such things as curses. There is luck, maybe, bad or good. A slight inclination of each day towards success or failure. But no curses."

"The grotto itself comprises its own slick universe, and inside this universe spin countless galaxies: here, in the upturned half of a single mussel shell, lives a barnacle and a tiny spindle shell occupied by a still smaller hermit crab. And on the shell of the crab? A yet smaller barnacle. And on that barnacle?"

"I have been feeling very clearheaded lately and what I want to write about today is the sea. It contains so many colors. Silver at dawn, green at noon, dark blue in the evening. Sometimes it looks almost red. Or it will turn the color of old coins. Right now the shadows of clouds are dragging across it, and patches of sunlight are touching down everywhere. White strings of gulls drag over it like beads. It is my favorite thing, I think, that I have ever seen. Sometimes I catch myself staring at it and forget my duties. It seems big enough to contain everything anyone could ever feel."

"I wasn't trying to reach England. or Paris. I thought that if I made the broadcast powerful enough, my brother would hear me. That I could bring him some peace, protect him as he had always protected me." You'd play your brother's own voice to him? After he died"And Debussy." Did he ever talk back" The attic ticks. What ghosts sidle along the walls right now, trying to overhear? She can almost taste her great-uncle's fright in the air. "No," he says. "He never did."

"Silence is the fruit of occupation."

"How about peaches, dear?” murmurs Madame Manec, and Marie-Laure can hear a can opening, juice slopping into a bowl. Seconds later, she’s eating wedges of wet sunlight."

"---on her best days, she glimpses the limitless span of millennia behind her: millions of years, tens of millions."

"Graceful. Lean. Coordinated as she whirls, though how she knows what dancing is, [her grandfather] could never guess. The song plays on. He lets it go too long. The antenna is still up, probably dimly visible against the sky, the whole attic might as well shine like a beacon. But in the candlelight, in the sweet rush of a concerto, Marie-Laure bites her lower lip, and her face gives off a secondary glow, reminding him of the marshes beyond the town walls, in those winter dusks when the sun has set but isn't fully swallowed, and big patches of red pools of light burn - places he used to go with his brother, in what seems like lifetimes ago."

"On the rue de la Crosse, the Hotel of Bees becomes almost weightless for a moment, lifted in a spiral of flame, before it begins to rain the pieces back to the earth"

"Then help us.”“I don’t want to make trouble, Madame.”“Isn’t doing nothing a kind of troublemaking?”“Doing nothing is doing nothing.”“Doing nothing is as good as collaborating.” …“It’s not a person you wish to fight, Madame, it’s a system. How do you fight a system?”“You try."

"She is in charge of everything, but no one knows. It is a tremendous burden, she says, to be responsible for every little thing, every infant born, every leaf falling from every tree, every wave that breaks onto the beach, every ant on its journey."

"There is pride, too, though - pride that he has done it alone. That his daughter is so curious, so resilient. There is the humility of being a father to someone so powerful, as if he were only a narrow conduit for another, greater thing. That's how it feels right now, he thinks, kneeling beside her, rinsing her hair: as though his love for his daughter will outstrip the limits of his body. The walls could fall away, even the whole city, and the brightness of that feeling would not wane."

"The universe is full of fuel."

"It's embarrassingly plain how inadequate language is."

"The very life of any creature is a quick-fading spark in fathomless darkness."

"That something so small could be so beautiful. Worth so much. Only the strongest people can turn away from feelings like that."