Neil Gaiman, American Gods
"I’m just a soul whose intentions are good,’“ he sang to the crabs and the spiders and the palmetto beetles and the lizards and the night. ‘“Oh lord, please don’t let me be misunderstood."
90 Quotes
"I’m just a soul whose intentions are good,’“ he sang to the crabs and the spiders and the palmetto beetles and the lizards and the night. ‘“Oh lord, please don’t let me be misunderstood."
Neil Gaiman, American Gods
"That is the eternal folly of man. To be chasing after the sweet flesh, without realizing that it is simply a pretty cover for the bones."
Neil Gaiman, American Gods
"... Minnesota, Wisconsin, all around there... has the kind of women I liked when I was younger. Pale-skinned and blue-eyed, hair so fair it's almost white, wine-colored lips, and round, full breasts with the veins running through them like a good cheese."
Neil Gaiman, American Gods
"This was beyond a joke. This had moved beyond foolishness, slipped over the line into genuine 24 karat Jesus-Christ-I-fucked-up-bigtime territory."
Neil Gaiman, American Gods
"He was cold, standing in a wood, talking to a big black bird who was currently brunching on Bambi."
Neil Gaiman, American Gods
"It's certainly not too late to change to the winning side. But you know, you also have the freedom to stay just where you are. That's what it means to be an American. That's the miracle of America. Freedom to believe means the freedom to believe the wrong thing, after all. Just as freedom of speech gives you the right to stay silent."
Neil Gaiman, American Gods
"There's never been a true war that wasn't fought between two sets of people who were certain they were in the right. The really dangerous people believe they are doing whatever they are doing solely and only because it is without question the right thing to do. And that is what makes them dangerous."
Neil Gaiman, American Gods
"The best thing—in Shadow's opinion, perhaps the only good thing—about being in prison was a feeling of relief. The feeling that he'd plunged as low as he could plunge and he'd hit bottom. He didn't worry that the man was going to get him, because the man had got him. He was no longer scared of what tomorrow might bring, because yesterday had brought it."
Neil Gaiman, American Gods
"What I say is, a town isn’t a town without a bookstore. It may call itself a town, but unless it’s got a bookstore, it knows it’s not foolin’ a soul."
Neil Gaiman, American Gods
"You know, one time I saw Tiger down at the water hole: he had the biggest testicles of any animal, and the sharpest claws, and two front teeth as long as knives and as sharp as blades. And I said to him, Brother Tiger, you go for a swim, I’ll look after your balls for you. He was so proud of his balls. So he got into the water hole for a swim, and I put his balls on, and left him my own little spider balls. And then, you know what I did? I ran away, fast as my legs would take me “I didn’t stop till I got to the next town, And I saw Old Monkey there. You lookin’ mighty fine, Anansi, said Old Monkey. I said to him, You know what they all singin’ in the town over there? What are they singin’? he asks me. They singin’ the funniest song, I told him. Then I did a dance, and I sings, Tiger’s balls, yeah, I ate Tiger’s balls Now ain’t nobody gonna stop me ever at all Nobody put me up against the big black wall ’Cos I ate that Tiger’s testimonials I ate Tiger’s balls. “Old Monkey he laughs fit to bust, holding his side and shakin’, and stampin’, then he starts singin’ Tiger’s balls, I ate Tiger’s balls, snappin’ his fingers, spinnin’ around on his two feet. That’s a fine song, he says, I’m goin’ to sing it to all my friends. You do that, I tell him, and I head back to the water hole. “There’s Tiger, down by the water hole, walkin’ up and down, with his tail switchin’ and swishin’ and his ears and the fur on his neck up as far as they can go, and he’s snappin’ at every insect comes by with his huge old saber teeth, and his eyes flashin’ orange fire. He looks mean and scary and big, but danglin’ between his legs, there’s the littlest balls in the littlest blackest most wrinkledy ball-sack you ever did see. “Hey, Anansi, he says, when he sees me. You were supposed to be guarding my balls while I went swimming. But when I got out of the swimming hole, there was nothing on the side of the bank but these little black shriveled-up good-for-nothing spider balls I’m wearing. “I done my best, I tells him, but it was those monkeys, they come by and eat your balls all up, and when I tell them off, then they pulled off my own little balls. And I was so ashamed I ran away. “You a liar, Anansi, says Tiger. I’m going to eat your liver. But then he hears the monkeys coming from their town to the water hole. A dozen happy monkeys, boppin’ down the path, clickin’ their fingers and singin’ as loud as they could sing, Tiger’s balls, yeah, I ate Tiger’s balls Now ain’t nobody gonna stop me ever at all Nobody put me up against the big black wall ’Cos I ate that Tiger’s testimonials I ate Tiger’s balls. “And Tiger, he growls, and he roars and he’s off into the forest after them, and the monkeys screech and head for the highest trees. And I scratch my nice new big balls, and damn they felt good hangin’ between my skinny legs, and I walk on home. And even today, Tiger keeps chasin’ monkeys. So you all remember: just because you’re small, doesn’t mean you got no power."
Neil Gaiman, American Gods
"I have a brother. They say, you put us together, we are like one person, you know? When we are young, his hair, it is very blond, very light, and people say, he is the good one. And my hair it is very dark, darker than yours even, and people say I am the rogue, you know? I am the bad one. And now time passes, and my hair is gray. His hair too, I think, is gray. And you look at us, you would not know who was light, who was dark."
Neil Gaiman, American Gods
"Religions are, by definition, metaphors, after all: God is a dream, a hope, a woman, an ironist, a father, a city, a house of many rooms, a watchmaker who left his prize chronometer in the desert, someone who loves you - even, perhaps, against all evidence, a celestial being whose only interest is to make sure your football team, army, business, or marriage thrives, prospers, and triumphs over all opposition."
Neil Gaiman, American Gods
"It doesn't matter that you didn't believe in us," said Mr. Ibis. "We believed in you."
Neil Gaiman, American Gods
"Religions are, by definition, metaphors, after all: God is a dream, a hope, a woman, an ironist, a father, a city, a house of many rooms, a watchmaker who left his prize chronometer in the desert, someone who loves you—even, perhaps, against all evidence, a celestial being whose only interest is to make sure your football team, army, business, or marriage thrives, prospers, and triumphs over all opposition. Religions are places to stand and look and act, vantage points from which to view the world. So none of this is happening. Such things could not occur. Never a word of it is literally true."
Neil Gaiman, American Gods
"I don't know much more than I did when I was alive. Most of the stuff I know now that I didn't know then I can't put into words."
Neil Gaiman, American Gods
"It's not what I'd want for at my funeral. When I die, I just want them to plant me somewhere warm. And then when the pretty women walk over my grave I would grab their ankles, like in that movie."
Neil Gaiman, American Gods
"So," he asked. "How's death"Hard," she said. "It just keeps going."
Neil Gaiman, American Gods
"Fox was here first, and his brother was the wolf. Fox said, people will live forever. If they die they will not die for long. Wolf said, no, people will die, people must die, all things that live must die, or they will spread and cover the world, and eat all the salmon and the caribou and the buffalo, eat all the squash and all the corn. Now one day Wolf died, and he said to the fox, quick, bring me back to life. And Fox said, No, the dead must stay dead. You convinced me. And he wept as he said this. But he said it, and it was final. Now Wolf rules the world of the dead and Fox lives always under the sun and the moon, and he still mourns his brother."
Neil Gaiman, American Gods
"No man, proclaimed Donne, is an Island, and he was wrong. If we were not islands, we would be lost, drowned in each other's tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature, and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived, and then, by some means or another, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes—forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There's not a chance you'd mistake one for another, after a minute's close inspection), but still unique."
Neil Gaiman, American Gods
"Are you happy?” asked Mr. Nancy, suddenly. He had been staring at Shadow for several hours. Whenever Shadow glanced over to his right, Mr. Nancy was looking at him with his earth-brown eyes. “Not really,” said Shadow. “But I’m not dead yet.” “Huh?” " 'Call no man happy until he is dead.’ Herodotus.” Mr. Nancy raised a white eyebrow, and he said, “I’m not dead yet, and, mostly because I’m not dead yet, I’m happy as a clamboy.” “The Herodotus thing. It doesn’t mean that the dead are happy,” said Shadow. “It means that you can’t judge the shape of someone’s life until it’s over and done.” “I don’t even judge then,” said Mr. Nancy. “And as for happiness, there’s a lot of different kinds of happiness, just as there’s a hell of a lot of different kinds of dead. Me, I’ll just take what I can get when I can get it."
Neil Gaiman, American Gods
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