Peter Ackroyd, Hawksmoor
"Be informed, also, that this good and savoury Parish is the home of Hectors, Trapanners, Biters who all go under the general appelation of Rooks. Here are all the Jilts, Cracks, Prostitutes, Night-walkers, Whores, Linnen-lifters, who are like so many Jakes, Privies, Houses of Office, Ordures, Excrements, Easments and piles of Sir-reverence: the whores of Ratcliffe High-way smell of Tarpaulin and stinking Cod from their continuall Traffick with seamen's Breeches. There are other such wretched Objects about these ruined Lanes, all of them lamentable Instances of Vengeance. And it is not strange (as some think) how they will haunt the same Districts and will not leave off their Crimes until they are apprehended, for these Streets are their Theatre. Theft, Whoredom and Homicide peep out of the very Windows of their Souls; Lying, Perjury, Fraud, Impudence and Misery are stamped upon their very Countenances as now they walk within the Shaddowe of my Church."
38 Quotes
"Be informed, also, that this good and savoury Parish is the home of Hectors, Trapanners, Biters who all go under the general appelation of Rooks. Here are all the Jilts, Cracks, Prostitutes, Night-walkers, Whores, Linnen-lifters, who are like so many Jakes, Privies, Houses of Office, Ordures, Excrements, Easments and piles of Sir-reverence: the whores of Ratcliffe High-way smell of Tarpaulin and stinking Cod from their continuall Traffick with seamen's Breeches. There are other such wretched Objects about these ruined Lanes, all of them lamentable Instances of Vengeance. And it is not strange (as some think) how they will haunt the same Districts and will not leave off their Crimes until they are apprehended, for these Streets are their Theatre. Theft, Whoredom and Homicide peep out of the very Windows of their Souls; Lying, Perjury, Fraud, Impudence and Misery are stamped upon their very Countenances as now they walk within the Shaddowe of my Church."
Peter Ackroyd, Hawksmoor
"None of these apparent sightings interested Hawksmoor, since it was quite usual for members of the public to come forward with such accounts and to describe unreal figures who took on the adventitious shape already suggested by newspaper accounts. There were even occasions when a number of people would report sightings of the same person, as if a group of hallucinations might create their own object which then seemed to hover for a while in the streets of London. And Hawksmoor knew that if he held a reconstruction of the crime by the church, yet more people would come forward with their own versions of time and event; the actual killing then became blurred and even inconsequential, a flat field against which others painted their own fantasies of murderer and victim."
Peter Ackroyd, Hawksmoor
"We went back into the Mens Apartments where there were others raving of Ships that may fly and silvered Creatures upon the Moon: Their Stories seem to have neither Head nor Tayl to them, Sir Chris. told me, but there is a Grammar in them if I could but Puzzle it out. This is a mad Age, I replied, and there are many fitter for Bedlam than these here confin'd to a Chain or a dark Room. A sad Reflection, Nick. And what little Purpose have we to glory in our Reason, I continu'd, when the Brain may so suddenly be disorder'd?"
Peter Ackroyd, Hawksmoor
"You say that it is time to shake off the Mist, but Mankind walks in a Mist; that Reason which you cry up as the Glory of this Age is a Proteus and Cameleon that changes its Shape almost in every Man: there is no Folly that may not have a thousand Reasons produc'd to advance it into the Class of Wisdom. Reason itself is a Mist."
Peter Ackroyd, Hawksmoor
"It's difficult to know where to begin, sir.''Yes, the beginning is the tricky part. But perhaps there is no beginning, perhaps we can't look that far back.' He got up from his desk and went over to the window, from where he could see thin pillar of smoke rising into the clouds. 'I never know where anything comes from, Walter.''Comes from, sir''Where you come from, where I come from, where all this comes from.' And he gestured at the offices and homes beneath him. He was about to say something else but he stopped, embarrassed; and in any case he was coming to the limits of his understanding. He was not sure if all the movements and changes in the world were part of some coherent development, like the weaving of a quilt which remains one fabric despite its variegated pattern. Or was it a more delicate operation than this - like the enlarging surface of a balloon in the sense that, although each part increased at the same rate of growth as every other part, the entire object grew more fragile as it expanded? And if one element was suddenly to vanish, would the others disappear also - imploding upon each other helplessly as if time itself were unravelling amid a confusion of Sights, calls, shrieks and phrases of music which grew smaller and smaller? He thought of a train disappearing into the distance, until eventually only the smoke and the smell of its engine remained."
Peter Ackroyd, Hawksmoor
"A woman is a deep Ditch, said he, her House inclines to Death and her Paths unto the Devil"
Peter Ackroyd, Hawksmoor
"Those in their snug Bed-chambers may call the Fears of Night meer Bugbears, but their Minds have not pierced into the Horror of the World which others, who are adrift upon it, know."
Peter Ackroyd, Hawksmoor
"This mundus tenebrosus, this shaddowy world of Mankind, is sunk into Night; there is not a Field without its Spirits, nor a City without its Daemons, and the Lunaticks speak Prophesies while the Wise men fall into the Pitte."
Peter Ackroyd, Hawksmoor
"This mundus tenebrosus, this shaddowy world of Mankind, is sunk into Night; there is not a Field without its Spirits, nor a City without its Daemons, and the Lunaticks speak Prophesies while the Wise men fall into the Pitte. We are all in the Dark, one with another. And, as the Inke stains the Paper on which it is spilt and slowly spreads to Blot out the Characters, so the Contagion of darkness and malefaction grows apace until all becomes unrecognizable. Thus it was with the Witches who were tryed by Swimming not long before, since once the Prosecution had commenced no Stop could be put to the raving Women who came forward: the number of Afflicted and Accused began to encrease and, upon Examination, more confess'd themselves guilty of Crimes than were suspected of. And so it went, till the Evil revealed was so great that it threatened to bring all into Confusion. And yet in the way of that Philosophie much cryed up in London and elsewhere, there are those like Sir Chris. who speak only of what is Rational and what is Demonstrated, of Propriety and Plainness. Religion Not Mysterious is their Motto, but if they would wish the Godhead to be Reasonable why was it that when Adam heard that Voice in the Garden he was afraid unto Death? The Mysteries must become easy and familiar, it is said, and it has now reached such a Pitch that there are those who wish to bring their mathematicall Calculations into Morality, viz. the Quantity of Publick Good produced by any Agent is a compound Ratio of his Benevolence and Abilities, and such like Excrement. They build Edifices which they call Systems by laying their Foundacions in the Air and, when they think they are come to sollid Ground, the Building disappears and the Architects tumble down from the Clowds. Men that are fixed upon matter, experiment, secondary causes and the like have forgot there is such a thing in the World which they cannot see nor touch nor measure: it is the Praecipice into which they will surely fall."
Peter Ackroyd, Hawksmoor
"On his thirteenth birthday he had seen a film in which the central character was a painter who, unable to sell his work, grew cold and hungry as he went from one unsuccessful interview to the next; eventually he had become a vagrant, sleeping in the streets of the city where once he had walked in hope. Hawksmoor left the cinema in a mood of profound, terrified apprehension and, from that time, he was filled with a sense of time passing and with the fear that he might be left discarded on its banks. The fear had not left him, although now he could no longer remember from where it came: he looked back on his earlier life without curiosity, since it seemed to lack intrinsic interest, and when he looked forward he saw the same steady attainment of goals without any joy in their attainment. For him, the state of happiness was simply the state of not suffering and, if he cared for anything, it was for oblivion."
Peter Ackroyd, Hawksmoor
"I would have no need for the Memory Of Things past if those which were Present were more agreeable"
Peter Ackroyd, Hawksmoor
"And when the Duke of Alva ordered three hundred Citizens to be put to Death together at Antwerp, a Lady who saw the Sight was presently afterwards deliver'd of a Child without a Head. So lives the Power of Imagination even in this Rationall Age."
Peter Ackroyd, Hawksmoor
"And now we come to the Heart of our Designe: the art of Shaddowes you must know well, Walter, and you must be instructed how to Cast them with due Care. It is only the Darknesse that can give trew Forme to our Work and trew Perspective to our Fabrick, for there is no Light without Darknesse and no Substance without Shaddowe (and I turn this Thought over in my Mind: what Life is there which is not a Portmanteau of Shaddowes and Chimeras?). I build in the Day to bring News of the Night and of Sorrowe, I continued, and then I broke off for Walter's sake."
Peter Ackroyd, Hawksmoor
"DYER. No, I am not of your Mind, for the Dialogue was fitted up with too much Facility. Words must be pluckt from Obscurity and nourished with Care, improved with Art and corrected with Application. Labour and Time are the Instruments in the perfection of all Work."
Peter Ackroyd, Hawksmoor
"Now his work-mates pitied him, although they tried not to show it, and it was generally arranged that he was given jobs which allowed him to work alone. The smell of ink, and the steady rhythm of the press, then induced in him a kind of peace - it was the peace he felt when he arrived early, at a time when he might be the only one to see the morning light as it filtered through the works or to hear the sound of his footsteps echoing through the old stone building. At such moments he was forgetful of himself and thus of others until he heard their voices, raised in argument or in greeting, and he would shrink into himself again. At other times he would stand slightly to one side and try to laugh at their jokes, but when they talked about sex he became uneasy and fell silent for it seemed to him to be a fearful thing. He still remembered how the girls in the schoolyard used to chant,Kiss me, kiss me if you can I will put you in my pan,Kiss me, kiss me as you said I will fry you till you're dead And when he thought of sex, it was as of a process which could tear him limb from limb. He knew from his childhood reading that, if he ran into the forest, there would be a creature lying in wait for him."
Peter Ackroyd, Hawksmoor
"For when I trace back the years I have liv'd, gathering them up in my Memory, I see what a chequer'd Work Of Nature my life has been. If I were now to inscribe my own History with its unparalleled Sufferings and surprizing Adventures (as the Booksellers might indite it), I know that the great Part of the World would not believe the Passages there related, by reason of the Strangeness of them, but I cannot help their Unbelief; and if the Reader considers them to be but dark Conceits, then let him bethink himself that Humane life is quite out of the Light and that we are all Creatures of Darknesse."
Peter Ackroyd, Hawksmoor
"I have liv'd long enough for others, like the Dog in the Wheel, and it is now the Season to begin for myself: I cannot change that Thing call'd Time, but I can alter its Posture and, as Boys do turn a looking-glass against the Sunne, so I will dazzle you all."
Peter Ackroyd, Hawksmoor
"Is Dust immortal then, I ask'd him, so that we may see it blowing through the Centuries? But as Walter gave no Answer I jested with him further to break his Melancholy humour: What is Dust, Master Pyne?And he reflected a little: It is particles of Matter, no doubt. Then we are all Dust indeed, are we not?And in a feigned Voice he murmered, For Dust thou art and shalt to Dust return. Then he made a Sour face, but only yo laugh the more."
Peter Ackroyd, Hawksmoor
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