Holly Black

"I love my parents' murderer; I suppose I could love anyone."

"The truth is messy. It's raw and uncomfortable. You can't blame people for preferring lies."

"What is sparring but a game of strategy, played at speed?"

"A well-seasoned strategist waits for the rightopportunity."

"Nice things don’t happen in storybooks, Taryn says. Or when they do happen, something bad happens next. Because otherwise the story would be boring, and no one would read it."

"If curiosity killed the cat, it was satisfaction that brought it back."

"It is said we learn more from our failures than our successes."

"I think of his riddle. How do people like us take off our armor?One piece at a time."

"I really love the idea of the poetically mad - the character that is imbued with the romantic madness. Like River from 'Firefly' or Drusilla from 'Buffy.' Someone dangerously unhinged, where you're really not sure they're going to be reliable minute-to-minute."

"Inspiration comes from everywhere. From life, observing people, etc. From movies and books you love. From research."

"I think there are a lot of really positive aspects to social media for novelists. Even though our work is pretty solitary, through Twitter and Tumblr and Facebook and Instagram and blogging in general, we're better able to connect directly with readers."

"Mock me all you like. Whatever I imagined then, now it is I who would beg and grovel for a kind word from your lips. His eyes are black with desire. By you, I am forever undone."

"Have I told you how hideous you look tonight? Cardan asks, leaning back in the elaborately carved chair, the warmth of his words turning the question into something like a compliment. No I say, glad to be annoyed back into the present. Tell me. I can't."

"By you, I am forever undone."

"The hardest thing about being wanted was the hardest thing about wanting—wanting badly enough that it gave you stomachache, wanting in a way that was partly about kissing and partly about swallowing whole, the way a snake gulps down a mouse or the Big Bad Wolf gulps down Red Riding Hood—wanting turned someone you felt like you knew into a stranger. Whether that person was your brother’s best friend or a sleeping prince in a glass prison or a girl who kissed you at a party, the moment you wanted more than just touching your mouth to theirs they became terrifying and you became terrified."

"... on the lawn one late summer day, her pale hair tangled because she'd cry if anyone tried to brush it, spinning around and around until she got so dizzy she fell in a pile of bare feet and dandelions and sundress."

"Her screams spiraled up into the night air"

"The Anne Rice books are a lot about infection. I read "Interview With the Vampire" a million times when I was in seventh and eighth grade. Also, [writing Gavriel's backstory] definitely came from those books: I sat down and reread them all and thought a lot about… the way in which vampirism is pushing away from humanity in interesting ways, and creating something new from humanity. I imprinted on those books pretty hard. Tanith Lee's "Sabella or the Blood Stone" was a big inspiration. I absolutely loved her books; when I was a kid, I wrote many bad Tanith Lee pastiches. Susie Mc Kee Charnas' "The Vampire Tapestry." Poppy Z. Brite's "Lost Souls." Nancy Collins' "Sunglasses After Dark," which sounds like the most '80s title ever. It's about a vampire named Sonja Blue, and she goes around killing vampires. She's the only vampire who's half-alive. It's a really fun, blood-filled romp. It's very "Blade" before "Blade"--with a lady."

"I really love folklore. I had read a lot of faerie folklore that informed the books I wrote. I also really love vampire folklore; my eighth grade research paper was on [it]. [With this project,] it was really helpful to think about the way you can use language. When you're writing about faeries, you can't call anyone "fey"; there are certain words that become forbidden because they're actualized in what faeries do. When you write about vampires, you could think the same way about things like the word "red" or "hunger"--it's interesting to think of the ways that the words have double meanings, or different meanings that shifted."

"My view of writing "Coldest Girl in Coldtown" was to take every single thing that I loved from every vampire book I had ever read and dump it into one book--everything I like--trying to evoke some of the decadence… Vampires are a high-class monster: They want to dress up. They want to drink a lot of absinthe, or force their victims to drink a lot of absinthe. They have big parties and have elegant rituals. I think that's a thing we associate with vampires--they are the royalty of our monsters. We expect them to be rich, we expect them to be well-dressed. I wanted to have some of that be true because I like it, and have some of it not be true because it's kind of weird. I wanted to put in the idea of infection, which I was really interested in and which was a big feature of the vampire books I read growing up. And, the fear and desire for infection--the way in which our urge towards loving vampires is nihilistic. Our fear of them is our survival instincts kicking in."