Lauren Oliver, Requiem

"I put my forehead on his collarbone, place one hand on his chest. Its rhythm reassures me: He is real, and he is now."

"He is no longer mine to lose, but the grief is there, a gnawing sense of disbelief."

"I thought you were dead,” I say. “It almost killed me.”“Did it?” His voice is neutral. “You made a pretty fast recovery.”“No. You don’t understand.” My throat is tight; I feel as though I’m being strangled. “I couldn’t keep hoping, and then waking up every day and finding out it wasn’t true, and you were still gone. I—I wasn’t strong enough.”He is quiet for a second. It’s too dark to see his expression: He is standing in shadow again, but I can sense that he is staring at me. Finally he says, “When they took me to the Crypts, I thought they were going to kill me. They didn’t even bother. They just left me to die. They threw me in a cell and locked the door.”“Alex.” The strangled feeling has moved from my throat to my chest, and without realizing it, I have begun to cry. I move toward him. I want to run my hands through his hair and kiss his forehead and each of his eyelids and take away the memory of what he has seen. But he steps backward, out of reach.“I didn’t die. I don’t know how. I should have. I’d lost plenty of blood. They were just as surprised as I was. After that it became a kind of game—to see how much I could stand. To see how much they could do to me before I’d—”He breaks off abruptly. I can’t hear any more; don’t want to know, don’t want it to be true, can’t stand to think of what they did to him there. I take another step forward and reach for his chest and shoulders in the dark. This time, he doesn’t push me away. But he doesn’t embrace me either. He stands there, cold, still, like a statue.“Alex.” I repeat his name like a prayer, like a magic spell that will make everything okay again. I run my hands up his chest and to his chin. “I’m so sorry. I’m so, so sorry.”Suddenly he jerks backward, simultaneously finding my wrists and pulling them down to my sides. “There were days I would rather they have killed me.” He doesn’t drop my wrists; he squeezes them tightly, pinning my arms, keeping me immobilized. His voice is low, urgent, and so full of anger it pains me even more than his grip. “There were days I asked for it—prayed for it when I went to sleep. The belief that I would see you again, that I could find you—the hope for it—was the only thing that kept me going.” He releases me and takes another step backward. “So no. I don’t understand."

"You’re angry at me,” she says. I stop crying at once. My whole body goes cold and still. She squats down beside me, and even though I’m careful not to look up, not to look at her at all, I can feel her, can smell the sweat from her skin and hear the ragged pattern of her breathing.“You’re angry at me,” she repeats, and her voice hitches a little. “You think I don’t care.”Her voice is the same. For years I used to imagine that voice lilting over those forbidden words: I love you. Remember. They cannot take it. Her last words to me before she went away. She shuffles forward and squats next to me. She hesitates, then reaches out and places her palm against my cheek, and turns my head toward hers so I’m forced to look at her. I can feel the calluses on her fingers. In her eyes, I see myself reflected in miniature, and I tunnel back to a time before she left, before I believed she was gone forever, when her eyes welcomed me into every day and shepherded me, every night, into sleep.“You turned out even more beautiful than I’d imagined,” she whispers. She, too, is crying. The hard casement inside me breaks.“Why?” is the only word that comes. Without intending to or even thinking about it, I allow her to draw me against her chest, let her wrap her arms around me. I cry into the space between her collarbones, inhaling the still-familiar smell of her skin. There are so many things I need to ask her: What happened to you in the Crypts? How could you let them take you away? Where did you go? But all I can say is: “Why didn’t you come for me? After all those years—all that time—why didn’t you come?” Then I can’t speak at all; my sobs become shudders.“Shhh.” She presses her lips to my forehead, strokes my hair, just like she used to when I was a child. I am a baby once again in her arms—helpless and needy. “I’m here now.”She rubs my back while I cry. Slowly, I feel the darkness drain out of me, as though pulled away by the motion of her hand. Finally I can breathe again. My eyes are burning, and my throat feels raw and sore. I draw away from her, wiping my eyes with the heel of my hand, not even caring that my nose is running. I’m suddenly exhausted—too tired to be hurt, too tired to be angry. I want to sleep, and sleep.“I never stopped thinking about you,” my mother says. “I thought of you every day—you and Rachel."

"Alex, please.”He balls his fists. “Stop saying my name. You don’t know me anymore.”“I do know you.” I’m still crying, swallowing back spasms in my throat, struggling to breathe. This is a nightmare and I will wake up. This is a monster-story, and he has come back to me a terror-creation, patched together, broken and hateful, and I will wake up and he will be here, and whole, and mine again. I find his hands, lace my fingers through his even as he tries to pull away. “It’s me, Alex. Lena. Your Lena. Remember? Remember 37 Brooks, and the blanket we used to keep in the backyard—”“Don’t,” he says. His voice breaks on the word.“And I always beat you in Scrabble,” I say. I have to keep talking, and keep him here, and make him remember. “Because you always let me win. And remember how we had a picnic one time, and the only thing we could find from the store was canned spaghetti and some green beans? And you said to mix them—”“Don’t.”“And we did, and it wasn’t bad. We ate the whole stupid can, we were so hungry. And when it started to get dark you pointed to the sky, and told me there was a star for every thing you loved about me.” I’m gasping, feeling as though I am about to drown; I’m reaching for him blindly, grabbing at his collar.“Stop.” He grabs my shoulders. His face is an inch from mine but unrecognizable: a gross, contorted mask. “Just stop. No more. It’s done, okay? That’s all done now.”“Alex, please—”“Stop!” His voice rings out sharply, hard as a slap. He releases me and I stumble backward. “Alex is dead, do you hear me? All of that—what we felt, what it meant—that’s done now, okay? Buried. Blown away.”“Alex!”He has started to turn away; now he whirls around. The moon lights him stark white and furious, a camera image, two-dimensional, gripped by the flash. “I don’t love you, Lena. Do you hear me? I never loved you.”The air goes. Everything goes. “I don’t believe you.” I’m crying so hard, I can hardly speak. He takes one step toward me. And now I don’t recognize him at all. He has transformed entirely, turned into a stranger. “It was a lie. Okay? It was all a lie. Craziness, like they always said. Just forget about it. Forget it ever happened.”“Please.” I don’t know how I stay on my feet, why I don’t shatter into dust right there, why my heart keeps beating when I want it so badly to stop. “Please don’t do this, Alex.”“Stop saying my name."

"I want to apologize to you,” she says calmly.“Oh yeah? For what?” I don’t have time for this. We don’t have time for this. I push away thoughts of what will happen to Hana even if I manage to escape. She’ll be here, in the house . . . My stomach is clenching and unclenching. I’m worried the bread will come straight back up. I have to stay focused. What happens to Hana isn’t my concern, and it isn’t my fault, either.“For telling the regulators about 37 Brooks,” she says. “For telling them about you and Alex.”Just like that, my brain powers down. “What"“I told them.” She lets out a tiny exhalation, as though saying the words has given her relief. “I’m sorry. I was jealous.”I can’t speak. I’m swimming through a fog. “Jealous?” I manage to spit out.“I—I wanted what you had with Alex. I was confused. I didn’t understand what I was doing.” She shakes her head again. I have a swinging, seasick feeling. It doesn’t make any sense. Hana—golden girl Hana, my best friend, fearless and reckless. I trusted her. I loved her. “You were my best friend.”“I know.” Again she looks troubled, as though trying to recall the meaning of the words.“You had everything.” I can’t stop my voice from rising. The anger is vibrating, ripping through me like a live current. “Perfect life. Perfect grades. Everything.” I gesture to the spotless kitchen, to the sunshine pouring over the marble counters like drizzled butter. “I had nothing. He was my one thing. My only—” The sickness surges up and I take a step forward, clenching my fists, blind with rage. “Why couldn’t you let me have it? Why did you have to take it? Why did you always take everything?"

"This is not the person I wanted to become: Hatred has carved a permanent place inside me, a hollow where things are so easily lost."

"Perfection is a promise, and a reassurance that we are not wrong."

"An eye for an eye." "And the whole world goes blind," Coral puts in quietly."

"Power isn't free. Energy isn't free. It has to be earned."

"Is it true?” I ask him.“Is what true?” His eyes are the color of honey. These are the eyes I remember from my dreams.“That you still love me,” I say, breathless. “I need to know.”Alex nods. He reaches out and touches my face—barely skimming my cheekbone and brushing away a bit of my hair. “It’s true.”“But . . . I’ve changed,” I say. “And you’ve changed.”“That’s true too,” he says quietly. I look at the scar on his face, stretching from his left eye to his jawline, and something hitches in my chest.“So what now?” I ask him. The light is too bright; the day feels as though it’s merging into dream.“Do you love me?” Alex asks. And I could cry; I could press my face into his chest and breathe in, and pretend that nothing has changed, that everything will be perfect and whole and healed again. But I can’t. I know I can’t.“I never stopped.” I look away from him. I look at Grace, and the high grass littered with the wounded and the dead. I think of Julian, and his clear blue eyes, his patience and goodness. I think of all the fighting we’ve done, and all the fighting we have yet to do. I take a deep breath. “But it’s more complicated than that.”Alex reaches out and places his hands on my shoulders. “I’m not going to run away again,” he says.“I don’t want you to,” I tell him. His fingers find my cheek, and I rest for a second against his palm, letting the pain of the past few months flow out of me, letting him turn my head toward his. Then he bends down and kisses me: light and perfect, his lips just barely meeting mine, a kiss that promises renewal."

"She lives for this-the fight, the battle for survival. She actually enjoys it."

"People are stubborn and stupid. They're irrational. they're destructive. that's the point, isn't it? That's the whole reason for the cure. People will no longer destroy their own lives. They won't be capable of it."

"You do not know what will happen if you take down the walls; you cannot see through to the other side, don't know whether it will bring freedom or ruin, resolution or chaos. It might be paradise or destruction. Take down the walls. Otherwise you must live closely, in fear, building barricades against the unknown, saying prayers against the darkness, speaking verse of terror and tightness. Otherwise you may never know hell, but you will not find heaven, either."

"Raven looks at me. “What about you, Lena?”I can feel Alex’s eyes on me. My mouth is so dry; the sun is so blinding. I look away, toward the hundreds and hundreds of people who have been driven out of their homes, out of their lives, to this place of dust and dirtiness, all because they wanted the power to feel, to think, to choose for themselves. They couldn’t have known that even this was a lie—that we never really choose, not entirely. We are always being pushed and squeezed down one road or another. We have no choice but to step forward, and then step forward again, and then step forward again; suddenly we find ourselves on a road we haven’t chosen at all. But maybe happiness isn’t in the choosing. Maybe it’s in the fiction, in the pretending: that wherever we have ended up is where we intended to be all along. Coral shifts, and moves her hand to Alex’s arm.“I’m with Julian,” I say at last. This, after all, is what I have chosen."

"We are all punished for the lives we have chosen, in one way or another."

"That is the rule of the Wilds: You must be bigger and stronger and tougher. You must hurt or be hurt."

"He believed in people. He believed that if people could only be shown the right way-the way to health and order, a way to be free of unhappiness-they would make the right choice. They would obey."

"Please understand. Please forgive me. I prayed every day for you to be alive, until hope became painful. Don't hate me. I still love you."

"Because I think you're right. You can make a difference." He told me experiences were kind of like fate, and fate usually came in the form of a test. He told me fate liked to be worshiped. It liked to see us fall on out knees before it offered to help us up..." ♥"