Tana French, In the Woods

Tana French, In the Woods

"لو أنها آذتني، لغفرتُ لها دونما حاجة حتى للتفكير في الأمر؛ لكنني لم أستطع أن أغفر لها كونها هي من تأذت."
22 اقتباسات
"لو أنها آذتني، لغفرتُ لها دونما حاجة حتى للتفكير في الأمر؛ لكنني لم أستطع أن أغفر لها كونها هي من تأذت."
Tana French, In the Woods
"لا يحق للحبيبات أن يعبأن بجواربك التي تفوح منها رائحة الجبن العفن. أما الأصدقاء، فذلك حقهم." ومع ذلك، نفضت يديها بحركة سريعة ومحترفة، ثم أمسكت بقدمي. "ثم إنك قد تكون أقل نكدًا لو حظيت بالمزيد من المتعة."
Tana French, In the Woods
"كل من عرفناهم ونحن نكبر هم على الشاكلة نفسها: صورة طبق الأصل عن آبائهم، مهما علا صوتهم وهم يخبرون أنفسهم أنهم سيكونون مختلفين."
Tana French, In the Woods
"اعتقد جزء مني، اعتقادًا لا يتزعزع، وصامتًا، وربما بلمسة من العدل، أنهم أبعدوني لأنهم كانوا خائفين مني. فمثل طفل مشوه بشكل وحشي ما كان ينبغي له أن يعيش بعد الطفولة، أو توأم سيامي مات نصفه الآخر تحت المبضع، أصبحتُ – بمجرد بقائي على قيد الحياة – مسخًا من مسوخ الطبيعة."
Tana French, In the Woods
"...كانت الوحدة مُسكرة. في ليلتي الأولى هناك، استلقيتُ على ظهري لساعات فوق السجادة اللزجة، في بركة الضوء البرتقالي العكر المنبعث من وهج المدينة عبر النافذة، أشمّ عبير توابل الكاري الفوّاح يتلوى عبر الممر، وأستمع إلى رجلين في الخارج يصرخان على بعضهما بالروسية، وشخص يتدرب على عزف كمان عاصف ومُتأنق في مكان ما، وأدركتُ ببطء أنه لا يوجد شخص واحد في العالم يمكنه أن يراني أو يسألني عما أفعله أو يطلب مني فعل أي شيء آخر، وشعرتُ وكأن الغرفة قد تنفصل في أي لحظة عن المباني كفقاعة صابون متوهجة وتنجرف في الليل، تتهادى بلطف فوق أسطح المنازل والنهر والنجوم."
Tana French, In the Woods
"The truth is the most desirable woman in the world and we are the most jealous lovers, reflexively denying anyone else the slightest glimpse of her. We betray her routinely, spending hours and days stupor-deep in lies, and then turn back to her holding out the lover's ultimate Möbius strip: But I only did it because I love you so much."
Tana French, In the Woods
"About your easy heads my prayers I said with syllables of clay. What gift, I asked, shall I bring now Before I weep and walk away?Take, they replied, the oak and laurel. Take our fortune of tears and live Like a spendthrift lover. All we ask Is the one gift you cannot give."
Tana French, In the Woods
"These three children own the summer. They know the wood as surely as they know the micro landscapes of their own grazed knees; put them down blindfolded in any dell or clearing and they could find their way out without putting a foot wrong. This is their territory, and they rule it wild and lordly as young animals; they scramble through its trees and hide-and-seek in its hollows all the endless day long, and all night in their dreams."
Tana French, In the Woods
"How can I ever make you understand Cassie and me? I would have to take you there, walk you down every path of our secret shared geography. The truism says it’s against all odds for a straight man and woman to be real friends, platonic friends; we rolled thirteen, threw down five aces and ran away giggling. She was the summertime cousin out of storybooks, the one you taught to swim at some midge-humming lake and pestered with tadpoles down her swimsuit, with whom you practiced first kisses on a heather hillside and laughed about it years later over a clandestine joint in your granny’s cluttered attic. She painted my fingernails gold and dared me to leave them that way for work…We climbed out her window and down the fire escape and lay on the roof of the extension below, drinking improvised cocktails and singing Tom Waits and watching the stars spin dizzily around us. No."
Tana French, In the Woods
"I watched her on the stand in that unfamiliar suit and thought of the soft hairs at the back of her neck, warm and smelling of the sun, and it seemed an impossible thing to me, it seemed the vastest and saddest miracle of my life: I touched her hair, once."
Tana French, In the Woods
"The wave of pure outrage blindsided me. I shouldn't be here, I thought. This is utterly fucked up. I should have been sitting in a garden down the road, barefoot with a drink in my hand, swapping the day's work stories with Peter and Jamie. I had never thought about this before, and it almost knocked me over: all the things we should have had. We should have stayed up all night together studying and stressing out before exams, Peter and I should have argued over who got to bring Jamie to our first dance and slagged her about how she looked in her dress. We should have come weaving home together, singing and laughing and inconsiderate, after drunken college nights. We could have shared a flat, taken off Interrailing around Europe, gone arm-in-arm through dodgy fashion phases and low-rent gigs and high-drama love affairs. Two of us might have been married by now, given the other one a godchild. I had been robbed blind."
Tana French, In the Woods
"…Obviously, I have always wished I could remember what happened in that wood. The very few people who know about the whole Knocknaree thing invariably suggest, sooner or later, that I should try hypnotic regression, but for some reason I find the idea distasteful. I’m deeply suspicious of anything with a whiff of the New Age about it—not because of the practices themselves, which as far as I can tell from a safe distance may well have a lot to them, but because of the people who get involved who always seem to be the kind who corner you at parties to explain how they discovered that they are survivors and deserve to be happy. I worry that I might come out of hypnosis with that sugar-high glaze of self-satisfied enlightenment, like a seventeen-year-old who’s just discovered Kerouak, and start proselytizing strangers in pubs…"
Tana French, In the Woods
"Human beings, as I know better than most, can get used to anything. Over time, even the unthinkable gradually wears a little niche for itself in your mind and becomes just something that happened."
Tana French, In the Woods
"She [88yo Mrs Fitzgerald] crossed herself and patted my arm. "And you're after coming all the way from England to find out who done it? Aren't you great? God bless you, young fella." "The old heretic," I said, when we got outside. Mrs. Fitzgerald had cheered up my day immensely. "I hope I have that much zip when I'm eighty-eight"
Tana French, In the Woods
"So what are you thinking" I asked. I meant about the case, obviously, but Cassie was in a giddy mood--she generates more energy than most people, and she'd been sitting indoors most of the day. "Will you listen to him? A woman asking a guy what he's thinking is the ultimate crime, she's clingy and needy and he runs a mile, but when it's the other--" "Behave yourself," I said, pulling her hood over her face. "Help! I'm being oppressed!" she yelled through it. "Call the Equality Commission." The stroller girl gave us a sour look. "You're overexcited," I told Cassie. "Calm down or I'll take you home with no ice cream."
Tana French, In the Woods
"I had learned early to assume something dark and lethal hidden at the heart of anything I loved. When I couldn't find it, I responded, bewildered and wary, in the only way I knew how: by planting it there myself."
Tana French, In the Woods
"People need a moral code, to help them make decisions. All this bio-yogurt virtue and financial self-righteousness are just filling the gap in the market. But the problem is that it's all backwards. It's not that you do the right thing and hope it pays off; the morally right thing is by definition the thing that gives the biggest payoff."
Tana French, In the Woods
"To my mind the defining characteristic of our era is spin, everything tailored to vanishing point by market research, brands and bands manufactured to precise specifications; we are so used to things transmuting into whatever we would like them to be that it comes as a profound outrage to encounter death, stubbornly unspinnable, only and immutably itself."
Tana French, In the Woods
"We think of mortality so little these days... I thought of the stern Victorian determination to keep death in mind, the uncompromising tombstones. Remember, pilgrim, as you pass by,As you are now so once was I:As I am so will you be..."
Tana French, In the Woods
"Now death is uncool, old-fashioned. To my mind the defining characteristic of our era is spin, everything tailored to vanishing point by market research, brands and bands manufactured to precise specifications; we are so used to things transmuting into whatever we would like them to be that it comes as a profound outrage to encounter death, stubbornly unspinnable, only and immutably itself."
Tana French, In the Woods
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