Terry Tempest Williams

"This is my living faith, an active faith, a faith of verbs: to question, explore, experiment, experience, walk, run, dance, play, eat, love, learn, dare, taste, touch, smell, listen, speak, write, read, draw, provoke, emote, scream, sin, repent, cry, kneel, pray, bow, rise, stand, look, laugh, cajole, create, confront, confound, walk back, walk forward, circle, hide, and seek."

"The middle path makes me wary. . . . But in the middle of my life, I am coming to see the middle path as a walk with wisdom where conversations of complexity can be found, that the middle path is the path of movement. . . . In the right and left worlds, the stories are largely set. . . . We become missionaries for a position . . . practitioners of the missionary position. Variety is lost. Diversity is lost. Creativity is lost in our inability to make love with the world."

"Faith is the centerpiece of a connected life. It allows us to live by the grace of invisible strands. It is a belief in a wisdom superior to our own. Faith becomes a teacher in the absence of fact."

"In the desert I often whisper. Junipers are excellent sounding boards. They have been shaped by wing. Rocks seem to care nothing about what I say, yet when I speak to them, they feel porous, capable of receiving my words and taking them in as part of their history of brokenness."

"The human heart is the first home of democracy. It is where we embrace our questions. Can we be equitable? Can we be generous? Can we listen with our whole beings, not just our minds, and offer our attention rather than our opinions? And do we have enough resolve in our hearts to act courageously, relentlessly, without giving up--ever--trusting our fellow citizens to join with us in our determined pursuit of a living democracy?"

"We come into this world through women: a woman who is spent, broken open, in awe. No wonder women have been worshiped ever since men first saw the crowning of a head, here, legs spread, a brushstroke of light. We are fire. We are water. We are earth. We are air. We are all things elemental. The world begins with "Yes,"Changing women: we begin again like the moon. We can no longer deny the destiny that is ours by becoming women who wait: waiting to love, waiting to speak, waiting to act. This is not patience, but pathology. We are sensual, sexual beings, intrinsically bound to both heaven and earth, our bodies a hologram. In our withholding of power, we abrogate power, and that creates war. The Australian poet Judith Wright says, "Our dream was the wrong dream, our strength was the wrong strength. Wounded, we cross the desert's emptiness and must be false to what would make us whole."

"Artifacts are alive. Each has a voice. They remind us what it means to be human - that it is our nature to survive, to create works of beauty to be resourceful, to be attentive to the world we live in."

"I do not write every day. I write to the questions and issues before me. I write to deadlines. I write out of my passions. And I write to make peace with my own contradictory nature. For me, writing is a spiritual practice. A small bowl of water sits on my desk, a reminder that even if nothing is happening on the page, something is happening in the room--evaporation. And I always light a candle when I begin to write, a reminder that I have now entered another realm, call it the realm of the Spirit. I am mindful that when one writes, one leaves this world and enters another. My books are collages made from journals, research, and personal experience. I love the images rendered in journal entries, the immediacy that is captured on the page, the handwritten notes. I love the depth of ideas and perspective that research brings to a story, be it biological or anthropological studies or the insights brought to the page by the scholarly work of art historians. When I go into a library, I feel like I am a sleuth looking to solve a mystery. I am completely inspired by the pursuit of knowledge through various references. I read newpapers voraciously. I love what newspapers say about contemporary culture. And then you go back to your own perceptions, your own words, and weigh them against all you have brought together. I am interested in the kaleidoscope of ideas, how you bring many strands of thought into a book and weave them together as one piece of coherent fabric, while at the same time trying to create beautiful language in the service of the story. This is the blood work of the writer. Writing is also about a life engaged. And so, for me, community work, working in the schools or with grassroots conservation organizations is another critical component of my life as a writer. I cannot separate the writing life from a spiritual life, from a life as a teacher or activist or my life intertwined with family and the responsibilities we carry within our own homes. Writing is daring to feel what nurtures and breaks our hearts. Bearing witness is its own form of advocacy. It is a dance with pain and beauty."